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brettworks

thinking through music


  • October 7, 2021

    Resonant Thoughts: Jenny Odell’s “How To Do Nothing” (2019)

    “If we think about what it means to ‘concentrate’ or ‘pay attention’ at an individual level, it implies alignment: different parts of the mind and even the body acting in concert and oriented toward the same thing. To pay attention to one thing is to resist paying attention to other things; it means constantly denying… Continue reading

    Resonant Thoughts
  • October 6, 2021

    Brett’s Sound Picks” “Spangle (Autechre Remix)” (2021)

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    Brett’s Sound Picks
  • October 4, 2021

    Dub 12

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    sketch method
  • October 1, 2021

    Six Good Measures

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    accidental loops
  • September 30, 2021

    Brett’s Sound Picks: Barker’s “Maximum Utility” (2021)

    (Playlist.) Continue reading

    Brett’s Sound Picks
  • September 29, 2021

    On Non-Algorithmic Music Recommendations

    “In Spotify’s view…when users search for and listen to music they are providing a measurable set of inputs from which musical tastes and desires can be extrapolated. This user behavior is recorded, compared and evaluated against that of other users, then sorted into metadata and used to calculate every song and artist’s degree of relevance… Continue reading

    music recommendations, playlists
  • September 28, 2021

    Fernand Khnopff’s “Listening To Music By Schumann” (1883)

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    art about music
  • September 27, 2021

    Bowed Metals And Strings

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    percussion, sketch, strings
  • September 24, 2021

    The Perfect Room: Two Perspectives

    “When you put on a pair of headphones you are wearing the studio on your head, which is 100 percent reproducible. I’ve never been in a room that affected how my headphones sound.” – Andrew Scheps “What you perceive when you listen to a mix isn’t some kind of objective reality: it’s almost entirely constructed… Continue reading

    listening
  • September 23, 2021

    Brett’s Sound Picks: Rival Consoles’ “Pulses Of Information” (2021)

    (Playlist.) Continue reading

    Brett’s Sound Picks
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Unquantized (Remodel)
  • Curating The Week: The Brand Age, Selling Out, Sync Music
  • Resonant Thoughts: John Ashbery’s “A Wave” (1984)
  • Art About Music: Google’s Lyria 3 (2026)
  • Studio Observations: Listening To Improvisation

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