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brettworks

thinking through music


  • February 23, 2022

    Art About Music: Bernardo Strozzi’s “The Concert” (c. 1635)

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    art about music
  • February 22, 2022

    Windscape

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    pruning, pulseology, sketch
  • February 18, 2022

    Working In Abundance, Working Towards Thriving 

    Every so often while making music it occurs to me how I’m working in, working against, and working with, abundance. The abundance is the number of sounds known and unknown in my old 2014 computer. Many of these sounds I haven’t yet encountered, some of these sounds I’ve encountered but forgotten where they reside, and… Continue reading

    abundance, thriving, Uncategorized
  • February 17, 2022

    Resonant Thoughts: Dave Eggers’ “The Every” (2021)

    “Because their devices dinged them a few times a minute, their minds were reshaped to the jittery, needy psyche that ruled the digital realm. In a few short decades they’d transformed proud and free animals—humans—and made them into endlessly acquiescent dots on screens. How many people live in a state of aggressive truth-seeking?” Dave Eggers,… Continue reading

    Resonant Thoughts
  • February 16, 2022

    Art About Music: John Singer Sargent’s “El Jaleo” (1882)

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    art about music
  • February 15, 2022

    Brett’s Sound Picks: Oval’s “Invisible Colors” (2022)

    (2022 Playlist.) Continue reading

    Uncategorized
  • February 14, 2022

    Piano + Pulse

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    ways of the hand, why doesn’t he just write about music instead?
  • February 11, 2022

    Resonant Thoughts: Jason Karp On Rhythm

    “It’s a lot about rhythm and trying to find that rhythm and let the rhythm carry you so you don’t feel like you’re having to push the whole time. Let the rhythm carry you through the whole way. It makes the rhythm bigger: when you have more than one person there it’s the collective rhythm… Continue reading

    rhythm, running
  • February 10, 2022

    Resonant Thoughts: John McPhee On Form, Structure, and Scale

    “When you are close like this, nearing satisfaction on something that has taken a very long time do to, you don’t want to be tempted to decide too soon that you are done. You need to add time for a final assessment of the over-all form and structure before removing those bits of clay and… Continue reading

    Uncategorized
  • February 9, 2022

    Brett’s Sound Picks: Dustin O’Halloran’s “Constellation No. 2” (2021)

    (Playlist 2022.) Continue reading

    Brett’s Sound Picks
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • 2 September
  • Curating the Week: Juggling, Music Teachers, Writing, Tacit Knowledge in Research
  • 8000 Studies
  • 7 August
  • Interior Jumble (Rhythm Remodel)

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