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brettworks

thinking through music


  • March 10, 2022

    An Interview

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    interview
  • March 9, 2022

    Brett’s Sound Picks: Ben Lukas Boysen’s “Lux” (2022)

    (2022 Playlist.) Continue reading

    Brett’s Sound Picks
  • March 8, 2022

    Art About Music: Frans Hals’ “Two singing boys with a lute and a music book” (1625)

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    art about music
  • March 7, 2022

    O Softly

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    Uncategorized
  • March 3, 2022

    One Good Listener

    Crash! Think of music like an encounter with two halves crashing together: on one side a set of sounds working as a composite, and on the other side, one good listener taking it all in. Like the case of a tree falling in the forest with no one around to notice it, without one good… Continue reading

    listening, music encounters
  • March 2, 2022

    Brett’s Sound Picks: Rokia Koné & Jacknife Lee’s “Bi Ye Tulonba Ye” (2022)

    (2022 Playlist.) Continue reading

    Brett’s Sound Picks, Uncategorized
  • March 1, 2022

    Art About Music: Philip Evergood’s “Woman at the Piano” (1955)

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    art about music
  • February 28, 2022

    (Untitled)

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    Uncategorized
  • February 25, 2022

    Resonant Thoughts: Paul Graham On Putting Ideas Into Words

    “If writing down your ideas always makes them more precise and more complete, then no one who hasn’t written about a topic has fully formed ideas about it. And someone who never writes has no fully formed ideas about anything nontrivial.” Paul Graham, Putting Ideas Into Words Continue reading

    writing
  • February 24, 2022

    Brett’s Sound PIcks: Abul Mogard’s “Along The River” (2022)

    (2022 Playlist.) Continue reading

    Brett’s Sound Picks
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • 2 September
  • Curating the Week: Juggling, Music Teachers, Writing, Tacit Knowledge in Research
  • 8000 Studies
  • 7 August
  • Interior Jumble (Rhythm Remodel)

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