As I have said elsewhere, practically speaking this blog is more for me than for you, sure, and tries to ask questions about musical things as I encounter them. And by things I mean: musical sounds, instruments, artists, aesthetics, technologies, codes and systems of signification, compositional techniques and performance practices, and so on.
But metaphorically speaking, this blog is like a tuning fork, trying to get its forms and contents in tune with one another–to get them in sympathetic vibration, so to speak. It’s not that the topics presented aren’t of vital interest, because they are–at least to me. But what’s equally at stake is how well-proportioned the posts are in relation to the material about which they speak. This is a pursuit and a discipline that I find fascinating because, depending on what I’m talking about, it’s possible to say too little or too much, miss the right tone, harp on insignificant details while missing the main point, come across as haughty or too neutral, and on and on. Sometimes the subject matter benefits from the inclusion of photos, animation, or video clips in the post, yet at some point there’s always a prose description that’s a compression and distillation of what it all seems to mean to me, right here and right now.
And saying what something means
in just the right way
can make all the difference.