“He’s found the right sound for his disposition and he resonates like crazy with that sound.” – Ben Ratliff (The New York Times)
“In ‘Wave,’ the angst pours out like a mantra. – Jody Rosen (vulture.com)
“‘Wave,’ for instance, is a floating impressionistic orchestral dirge, Beck letting the strings surrounding his voice lift it up and toss it around, never letting drums or guitar pierce the reverie.” – Tom Breihan (stereogum.com)
“Wave consists of an awesome ebbing, flowing combination of authority-figure strings and saturated Beck vocals that could easily harsh the mellow of anyone in a fragile state.” – Kitty Empire (The Guardian)
Beck’s song “Wave” is a piece of music that creates reams of affect out of minimal materials: strings, voice, and reverb resonance. Playing long and slow notes, the strings outline an A minor melodic tonality, full of open 5ths, and keeps our ears oscillating in ambiguity as to whether or not e or b is the tonality’s tonic. Beck’s voice floats above in a halo of reverb, tracing drawn out, chant-like melodies.
The song’s lyrics can be read as being about the physical and social affect of music itself. Verse 1 describes something, a presence–the “I” of music?–that takes “the form of a disturbance” and engages us “like some tiny distortion.” Verse 2 describes the feeling of experiencing this presence’s effects. If only we “surrender” to these effects, we’ll get “carried away”–as if music, literally and metaphorically, is a wave. Then, for the one-off refrain that concludes the song, Beck repeats the word “wave” twice in falsetto (on ascending notes d and e) followed by the word “isolation” four times (on descending notes b, a, and g). But as he repeats the phrase he stretches out the first syllable “I” so that it separates from “isolation” and returns to the “I” that represents music in the lyrics. It’s as if the vocal sound has become a longing to express–as if the words are saying one thing but meaning another: