Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of The Creative Electronic Music Producer, and his essays and book reviews have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. He has released numerous electronic music recordings and his compositions for marimba and vibraphone have been performed internationally by soloists and university ensembles. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.
brettworks 
I laughed.
I think I’ve done pieces that could go in each one of those categories, so which one should I choose? Well, except for K-Pop. I don’t think I’ve done anything even vaguely K-Pop.
I think I’ll hold off choosing which category until I can figure out how to do something K-Pop.
Haha….Also: Don’t forger genre hybrids, such as “Afro-Wellness-Focus” – there are so many possibilities. Thanks for your comment.