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brettworks

thinking through music


art about music

  • December 4, 2018

    Caravaggio’s “The Musicians” (c. 1595)

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    art about music, Uncategorized
  • November 27, 2018

    Hieronymus Bosch’s “Concert in the Egg” (c. 1561)

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    art about music, Uncategorized
  • November 20, 2018

    Art About Music: Hendrick Ter Brugghen’s “Bagpipe Player” (1624)

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    art about music, Uncategorized
  • November 13, 2018

    Art About Music: Nicolas Regnier’s “Divine Inspiration Of Music” (c. 1640)

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    art about music, Uncategorized
  • November 6, 2018

    Art About Music: Judith Leyster’s “The Concert” (c. 1663)

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    art about music, Uncategorized
  • October 30, 2018

    Art About Music: Zanobi Strozzi’s “The Madonna of Humility With Two Musician Angels” (c. 1448-1450)

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  • October 26, 2018

    Art About Music: Jan Steen’s “The Music Lesson” (c. 1650)

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  • October 10, 2018

    Art About Music: Juan Gris’s “Guitar on a Table” (1915)

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  • October 2, 2018

    Art About Music: Liu Kang’s “Indian Musicians” (1972)

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    art about music
  • September 25, 2018

    Art About Music: Richard Caton Woodville’s “The Italian Boy with Hurdy-Gurdy” (c. 1853)

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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Brett’s Sound Picks: Laura Cannell’s “The Water Had Carried Her” (2026)
  • Curating The Week: AI and Human Touch, AI and Writing, AI and Taste
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