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brettworks

thinking through music


art about music

  • September 25, 2018

    Art About Music: Richard Caton Woodville’s “The Italian Boy with Hurdy-Gurdy” (c. 1853)

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  • September 18, 2018

    Art About Music: Frans Hals’s “The Rommel-Pot Player” (c.1618–1622)

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  • September 11, 2018

    Art About Music: Girolamo Savoldo’s “Shepherd with a Flute” (c. 1525)

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  • September 4, 2018

    Art About Music: Yeh Chi Wei’s “Drummer” (1970-1979)

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  • August 28, 2018

    Art About Music: Leonaert Bramer’s “Allegory of Vanity (Vanitas)” (1630/1650)

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  • August 21, 2018

    Art About Music: Heitor dos Prazeres’ “Roda de Samba (Samba Circle)” (1957)

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  • August 14, 2018

    Art About Music: “Ragini Todi” (c. 1785 – 1790)

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  • August 7, 2018

    Art About Music: Gerrit Dou’s “Young Lady Playing The Clavichord” (c. 1665)

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  • July 31, 2018

    Art About Music: Gonzales Coques’s “The Five Senses, Hearing” (c. 1650)

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  • July 24, 2018

    Art About Music: Jose Malhoa’s “O Fado” (1910)

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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Cymbalscapes 5
  • Curating The Week: A History of Western Classical Music, Building AI Models, AI’s Effects on Cognition
  • Database: Clark on Zero Expectations and the Actual Idea
  • Fine-Tuning
  • Suspiramus

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