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brettworks

thinking through music


art about music

  • December 11, 2018

    Art About Music: Cornelis Saftleven’s “The Duet” (c. 1635)

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  • December 4, 2018

    Caravaggio’s “The Musicians” (c. 1595)

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  • November 27, 2018

    Hieronymus Bosch’s “Concert in the Egg” (c. 1561)

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  • November 20, 2018

    Art About Music: Hendrick Ter Brugghen’s “Bagpipe Player” (1624)

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  • November 13, 2018

    Art About Music: Nicolas Regnier’s “Divine Inspiration Of Music” (c. 1640)

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  • November 6, 2018

    Art About Music: Judith Leyster’s “The Concert” (c. 1663)

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  • October 30, 2018

    Art About Music: Zanobi Strozzi’s “The Madonna of Humility With Two Musician Angels” (c. 1448-1450)

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  • October 26, 2018

    Art About Music: Jan Steen’s “The Music Lesson” (c. 1650)

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  • October 10, 2018

    Art About Music: Juan Gris’s “Guitar on a Table” (1915)

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  • October 2, 2018

    Art About Music: Liu Kang’s “Indian Musicians” (1972)

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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Brett’s Sound Picks: Squarepusher’s “K8 Park” (2026)
  • Resonant Thoughts: Ben Lerner’s “Transcription” (2026)
  • Marimbafied 36
  • Database: Wolfgang Voigt On Sampling’s Magic Momentum
  • A Microphone’s Hearing, A Musician’s Listening

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