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brettworks

thinking through music


art about music

  • July 10, 2018

    Art About Music: Harry Partch’s “Gourd Tree” (1964)

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    art about music, Uncategorized
  • July 3, 2018

    Art About Music: Frans Francken II’s “An Allegory Of Death And The Rich Man” (1581-1642)

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    art about music, Uncategorized
  • June 26, 2018

    Art About Music: Rembrandt’s “The Music Party” (1626)

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  • June 19, 2018

    Art About Music: Jan Brueghel’s “Allegory Of Sound: The Bird Concert” (1606)

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  • June 12, 2018

    Art About Music: Johannes Vermeer’s “Woman With A Lute” (c. 1662-1663)

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  • June 5, 2018

    Art About Music: Barnett Newman’s “The Song Of Orpheus” (1944-45)

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  • May 29, 2018

    Art About Music: Anthonie Palamedes’s “Guardroom Scene” (1656)

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  • May 15, 2018

    Art About Music: Paolo Veronese’s “Muse With Tambourine” (1561)

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  • May 8, 2018

    Art About Music: Charles Landelle’s “Algerian Woman Playing A Darbouka” (c. 1887)

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  • May 1, 2018

    Art About Music: Lenore Tawney’s “Bach” (1967)

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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Brett’s Sound Picks: Laura Cannell’s “The Water Had Carried Her” (2026)
  • Curating The Week: AI and Human Touch, AI and Writing, AI and Taste
  • Marimbafied 35
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