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brettworks

thinking through music


atelier

  • December 1, 2025

    Fragments (Three Parts)

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    atelier
  • September 22, 2025

    Tenebrae (Cycles Version)

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    abundance, atelier, cycles version
  • August 19, 2025

    Freeze Studies 9

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    atelier
  • July 29, 2025

    Freeze Studies

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    atelier, Uncategorized
  • July 21, 2025

    Piano Pulsations

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    atelier
  • July 10, 2025

    In Unison

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    atelier
  • July 7, 2025

    Sine Study

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    atelier, Uncategorized
  • June 26, 2025

    Marimbafied 28

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    atelier, attentional arcs, main things and peripherals, marimba
  • April 28, 2025

    Atelier: Sculpture

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    atelier, sensation
  • March 31, 2025

    Atelier: Bellows 4

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    atelier
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Quanta
  • Resonant Thoughts: Vincenzo Latronico’s “Perfection” (2025)
  • Database: Claire M Singer on Writing By Improvising
  • Resonant Thoughts: Matthew H. Birkhold’s “Metronome” (2025)
  • Brett’s Sound Picks: Claire M Singer’s “Rionnag a Tuath” (2025)

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