brettworks

thinking through music

atelier

March 3, 2026

Jup-8000, No. 1

Continue reading

accidental epistemologies, atelier
January 20, 2026

(14 January)

Continue reading

atelier
December 1, 2025

Fragments (Three Parts)

Continue reading

atelier
September 22, 2025

Tenebrae (Cycles Version)

Continue reading

abundance, atelier, cycles version
August 19, 2025

Freeze Studies 9

Continue reading

atelier
July 29, 2025

Freeze Studies

Continue reading

atelier, Uncategorized
July 21, 2025

Piano Pulsations

Continue reading

atelier
July 10, 2025

In Unison

Continue reading

atelier
July 7, 2025

Sine Study

Continue reading

atelier, Uncategorized
June 26, 2025

Marimbafied 28

Continue reading

atelier, attentional arcs, main things and peripherals, marimba

Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.