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thinking through music

Brett’s Sound Picks

March 11, 2020

Brett’s Sound Picks: GoGo Penguin’s “Atomised” (2020)

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March 4, 2020

Brett’s Sound Picks: Quirke’s “Decohere” (2019)

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February 26, 2020

Brett’s Sound Picks: Steve Hauschildt’s “M Path” (2018)

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February 12, 2020

Brett’s Sound Picks: Son Zept’s “Arrival” (2020)

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January 28, 2020

Brett’s Sound Picks: Stenny’s “Cursed” (2019)

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January 22, 2020

Brett’s Sound Picks: Jacob Pavek and Philip Daniel’s “Morrow” (2020)

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December 26, 2019

Brett’s Sound Picks: The Humble Bee’s”Off Camera” (2019)

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December 18, 2019

Brett’s Sound Picks: Steve Hauschildt’s “The Nature Remaining” (2019)

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December 11, 2019

Brett’s Sound Picks: ISAN’s “From A Hundred” (2019)

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December 4, 2019

Brett’s Sound Picks: Tipper’s “Oi Oi Spit” (2019)

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Brett’s Sound Picks

Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.