brettworks

thinking through music

Brett’s Sound Picks

January 28, 2020

Brett’s Sound Picks: Stenny’s “Cursed” (2019)

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January 22, 2020

Brett’s Sound Picks: Jacob Pavek and Philip Daniel’s “Morrow” (2020)

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December 26, 2019

Brett’s Sound Picks: The Humble Bee’s”Off Camera” (2019)

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December 18, 2019

Brett’s Sound Picks: Steve Hauschildt’s “The Nature Remaining” (2019)

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December 11, 2019

Brett’s Sound Picks: ISAN’s “From A Hundred” (2019)

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December 4, 2019

Brett’s Sound Picks: Tipper’s “Oi Oi Spit” (2019)

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November 27, 2019

Brett’s Sound Picks: Lanark Artefax’s “Ferthenheap” (2019)

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November 20, 2019

Brett’s Sound Picks: Clark’s “Legacy Pet” (2019)

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November 14, 2019

Brett’s Sound Picks: Kindohm’s “This Can’t Be It” (2019)

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November 6, 2019

Brett’s Sound Picks: Skee Mask’s “Sphere In Total” (2019)

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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.