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brettworks

thinking through music


Brett’s Sound Picks

  • April 29, 2020

    Brett’s Sound Picks: Lorenzo Senni’s “Canone Infinito” (2020)

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    Brett’s Sound Picks, Uncategorized
  • April 21, 2020

    Brett’s Sound Picks: Ital Tek’s “Leaving The Grid” (2020)

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  • April 14, 2020

    Brett’s Sound Picks: Gigi Masin’s “If” (2020)

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    ambient music, Brett’s Sound Picks, drone, Uncategorized
  • March 31, 2020

    Brett’s Sound Picks: Arovane’s “Endolp” (2020)

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    Brett’s Sound Picks
  • March 24, 2020

    Brett’s Sound Picks: Víkingur Ólafsson And Jean-Philippe Rameau’s “The Arts and the Hours” (2020)

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  • March 17, 2020

    Brett’s Sound Picks: Benoit Pioulard’s “Mesa” (2020)

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  • March 11, 2020

    Brett’s Sound Picks: GoGo Penguin’s “Atomised” (2020)

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  • March 4, 2020

    Brett’s Sound Picks: Quirke’s “Decohere” (2019)

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  • February 26, 2020

    Brett’s Sound Picks: Steve Hauschildt’s “M Path” (2018)

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  • February 12, 2020

    Brett’s Sound Picks: Son Zept’s “Arrival” (2020)

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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Cymbalscapes 5
  • Curating The Week: A History of Western Classical Music, Building AI Models, AI’s Effects on Cognition
  • Database: Clark on Zero Expectations and the Actual Idea
  • Fine-Tuning
  • Suspiramus

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