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brettworks

thinking through music


Brett’s Sound Picks

  • October 30, 2019

    Brett’s Sound Picks: Hammock’s “Circular As Our Way” (2019)

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    Brett’s Sound Picks, Uncategorized
  • October 23, 2019

    Brett’s Sound Picks: Penguin Cafe’s “Adelie” (2019)

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    Brett’s Sound Picks, Uncategorized
  • October 16, 2019

    Brett’s Sound Picks: Russell Hartenberger’s “Prelude” (2019)

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    Brett’s Sound Picks, Uncategorized
  • October 9, 2019

    Brett’s Sound Picks” G. Jones’ “Everything All At Once” (2018)

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    Brett’s Sound Picks, Uncategorized
  • September 25, 2019

    Brett’s Sound Picks: Ekin Fil’s “On The Move” (2018)

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    Brett’s Sound Picks, Uncategorized
  • September 18, 2019

    Brett’s Sound Picks: Barker’s “Paradise Engineering” (2019)

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    Brett’s Sound Picks, Uncategorized
  • September 11, 2019

    Brett’s Sound Picks: 36’s “Find You” (2019)

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    Brett’s Sound Picks
  • September 4, 2019

    Brett’s Sound Picks: Bana Haffar’s “Genera III” (2019)

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    Brett’s Sound Picks, Uncategorized
  • August 28, 2019

    Brett’s Sound Picks: Leo Svirsky’s “River Without Banks” (2019)

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    Brett’s Sound Picks, Uncategorized
  • August 21, 2019

    Brett’s Sound Picks: Mr. Bill’s “Apophenia” (2018)

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    Brett’s Sound Picks, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Cymbalscapes 5
  • Curating The Week: A History of Western Classical Music, Building AI Models, AI’s Effects on Cognition
  • Database: Clark on Zero Expectations and the Actual Idea
  • Fine-Tuning
  • Suspiramus

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