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brettworks

thinking through music


Brett’s Sound Picks

  • September 11, 2019

    Brett’s Sound Picks: 36’s “Find You” (2019)

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    Brett’s Sound Picks
  • September 4, 2019

    Brett’s Sound Picks: Bana Haffar’s “Genera III” (2019)

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    Brett’s Sound Picks, Uncategorized
  • August 28, 2019

    Brett’s Sound Picks: Leo Svirsky’s “River Without Banks” (2019)

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  • August 21, 2019

    Brett’s Sound Picks: Mr. Bill’s “Apophenia” (2018)

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  • August 14, 2019

    Brett’s Sound Picks: Alex Twomey’s “Maybe Late” (2019)

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    Brett’s Sound Picks, Uncategorized
  • July 31, 2019

    Brett’s Sound Picks: Olafur Arnald’s “they sink (TOKiMONSTA remix)

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  • July 24, 2019

    Brett’s Sound Picks” Joshua Sabin’s “Sutarti VI” (2019)

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  • July 10, 2019

    Brett’s Sound Picks: Leafcutter John’s “This Way Out” (2019)

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  • July 3, 2019

    Brett’s Sound Picks: Kali Malone’s “Lintanic Cloth Wrung” (2019)

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  • June 26, 2019

    Brett’ Sound Picks: Synkro & Arovane’s “Transmission” (2019)

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    Brett’s Sound Picks, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Curating The Archive: Of Slow Voices (5.2.2022)
  • Database: Laura Cannell On The Mechanics Of Acoustic Instruments, Improvising, And Simple Motifs
  • Omni 128 bpm
  • Brett’s Sound Picks: Laura Cannell’s “The Water Had Carried Her” (2026)
  • Curating The Week: AI and Human Touch, AI and Writing, AI and Taste

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