brettworks

thinking through music

Brett’s Sound Picks

June 19, 2019

Brett’s Sound Picks: Burial’s “State Forest” (2019)

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June 12, 2019

Brett’s Sound Picks: Celer’s “Rains Lit By Neon” (2019)

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June 5, 2019

Brett’s Sound Picks: Sarah Davachi’s “Perfumes 1” (2019)

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May 29, 2019

Brett’s Sound Picks: Ulla Straus’s “Home” (2019)

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May 22, 2019

Brett’s Sound Picks: Rainer Veil’s “Sim Screen” (2019)

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May 15, 2019

Brett’s Sound Picks: Plaid’s “Los” (2019)

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May 8, 2019

Brett’s Sound Picks: Caterina Barbieri’s “Fantas” (2019)

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May 1, 2019

Brett’s Sound Picks: Amon Tobin’s “On a Hilltop Sat the Moon” (2019)

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April 17, 2019

Brett’s Sound Picks: Visible Cloaks, Yoshio Ojima & Satsuki Shibano’s “You” (2019)

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Brett’s Sound Picks
April 10, 2019

Brett’s Sound Picks: Deaf Center’s “Yet To Come” (2019)

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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.