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brettworks

thinking through music


Electronic music

  • September 21, 2020

    Five Lines

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    Electronic music
  • August 24, 2020

    No. 26

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    Electronic music
  • August 17, 2020

    No. 78

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    Electronic music, sketch
    electronic music
  • August 10, 2020

    Still

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    drone, Electronic music, layering, sketch, Uncategorized
  • August 3, 2020

    No. 23

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    Electronic music, sketch, Uncategorized
  • July 27, 2020

    148 BPM

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    beats, Electronic music, exploding musical moments, music production, Uncategorized
  • July 20, 2020

    Piano and Metals 2

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    Electronic music, finger cymbals, kalimba, piano music, Uncategorized
  • July 8, 2020

    No. 54 (gong)

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    design, Electronic music, sketch method, Uncategorized
  • July 6, 2020

    Two Lines

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    echo and delay, Electronic music, sketch, sketch method, Uncategorized
  • June 29, 2020

    No. 69

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    composition, Electronic music, music production, sketch method, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Resonant Thoughts: Vincenzo Latronico’s “Perfection” (2025)
  • Database: Claire M Singer on Writing By Improvising
  • Resonant Thoughts: Matthew H. Birkhold’s “Metronome” (2025)
  • Brett’s Sound Picks: Claire M Singer’s “Rionnag a Tuath” (2025)
  • Holding Out For Better

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