musical process
-
Process, Not Outcome
“Musical processes can give one a direct contact with the impersonal and also a kind of complete control, and one doesn’t always think of the impersonal and complete control as going together. By ‘a kind’ of complete control I mean that by running this material through the process I completely control all that results, but Continue reading
-
Song Structures Versus Sound Sculptures
One key to electronic music production is learning to devise ways to expand what you happen to have right now into something something you can’t yet hear. What you have right now might be a rhythm, a bass line, a sequence of chords, a burst of noise, a loop, or ten minutes of field recordings Continue reading
-
On Musical Manipulation
manipulate—handle or control typically in a skillful manner If you zoom out far enough from the minutiae of music production, you see that the grand contours of your production moves are made up of unequal parts recording (audio, MIDI) and technology-assisted manipulation. As I practice it, recording is straightforward enough: at an acoustic instrument (yes Continue reading
-
EQ As Musical Process
https://youtu.be/gn4mWrHEeyE Continue reading
-
Reflections On Several Musical Projects: Thinking About What Worked (For Now)
Reflecting on some recent musical projects of mine, I noticed a number of techniques and strategies I used to build them: I used my own (sampled) sounds. I’ve written here before about my frustrations with making electronic music. But using my own sounds makes the process personal and somehow more sensible. I improvised a performance Continue reading
-
On Musical Invention, Sound And Process: “Bladelores” From Autechre’s Exai
No one is quite sure how the UK duo Autechre make their electronic music. Sure, they use software and computers, they program, they use hardware synths and drum machines and samplers, they improvise, they code, they make beats, they tweak, but we really don’t know how they work. Not only is the group’s musical sum Continue reading
-
Microthought: On Musical Process
Music. Music finds a way around us. Music, that subliminal force, finds a way around us, through our ears, into our hearts. Your Music might not be my Music, that subliminal force that finds a way around us, through our ears, into our hearts. If we traded musics, you and I, do we trade minds Continue reading

You must be logged in to post a comment.