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brettworks

thinking through music


piano music

  • May 12, 2021

    Piano And Its Echo

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    echo and delay, piano music
  • May 4, 2021

    Memory Vector

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    memory, piano music, resonance, space, Uncategorized
  • May 3, 2021

    Piano In A Space

    Listen on Spotify and Apple Music. Continue reading

    piano music
  • March 17, 2021

    25 August (piano)

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    piano music, play
  • February 1, 2021

    Pianodrum

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    beats, piano music, sketch
  • August 31, 2020

    Piano, kick, shaker

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    piano music, Uncategorized
  • August 26, 2020

    Brett’s Sound Picks: Illuminine’s “Apprehension, Pt. 2 (Luis Alvarez Rework)” (2020)

    Brett’s Sound Picks 2020 Continue reading

    piano music
  • July 20, 2020

    Piano and Metals 2

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    Electronic music, finger cymbals, kalimba, piano music, Uncategorized
  • June 2, 2020

    Piano In A Space

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    improvisation, piano music, Uncategorized
  • May 27, 2020

    Art About Music: Henri Matisse’s “The Piano Lesson” (1916)

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    art about music, piano music, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Resonant Thoughts: Ben Lerner’s “Transcription” (2026)
  • Marimbafied 36
  • Database: Wolfgang Voigt On Sampling’s Magic Momentum
  • A Microphone’s Hearing, A Musician’s Listening
  • Brett’s Sound Picks: Skrillex’s “Kora” (2026)

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