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brettworks

thinking through music


record players

  • February 2, 2021

    Art About Music: New Edison’s “The Phonograph With A Soul” (c. 1918)

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    record players, recording culture
  • August 30, 2017

    Art About Music: Jacob Lawrence’s “Bootleg Whiskey” (1943) And “The Lovers” (1946)

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    art about music, radio, record players, Uncategorized

Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Curating The Week: Intellectual Strength Training, AI Chatbots, Popular Music and Politics
  • Cymbalscapes 2
  • Resonant Thoughts: George Newman’s “How Great Ideas Happen” (2026)
  • Resonant Thoughts: Leonard Koren’s “Lost in Thought” (2026)
  • Filmic

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