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brettworks

thinking through music


sketch

  • January 2, 2024

    SEK 5

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    atelier, sketch
  • December 12, 2023

    Marimbafied 4 (sketch)

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    marimba, sketch
  • July 7, 2023

    OV 3

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    sketch, Uncategorized
  • December 13, 2022

    Mover

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    sketch
  • August 9, 2022

    Augmented

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    sketch
  • June 27, 2022

    Two Parts

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    sketch
  • June 3, 2022

    Dub 166 bpm

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    sketch
  • May 16, 2022

    HT Dub

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    sketch
  • May 13, 2022

    Slow Voices, pulses, percussion

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    anti-boredom, antifragility, ecstasy of influence, harmony, long tones, sketch
  • February 22, 2022

    Windscape

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    pruning, pulseology, sketch
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Resonant Thoughts: Vincenzo Latronico’s “Perfection” (2025)
  • Database: Claire M Singer on Writing By Improvising
  • Resonant Thoughts: Matthew H. Birkhold’s “Metronome” (2025)
  • Brett’s Sound Picks: Claire M Singer’s “Rionnag a Tuath” (2025)
  • Holding Out For Better

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