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thinking through music


  • September 25, 2025

    Resonant Thoughts: Lewis Hyde’s “A Primer for Forgetting: Getting Past the Past” (2020)

    “Memory and forgetting: these are the faculties of mind by which we are aware of time, and time is a mystery. In addition, a long tradition holds that the imagination is best conceived as operating with a mixture of memory and forgetting. Creation—things coming into being that never were before—that too is a mystery. Writers… Continue reading

    creative epistemologies, Resonant Thoughts
  • September 23, 2025

    Curating The Week: Awe, Brian Eno’s Legacy, Daily Rhythms

    • An essay on awe. “Unlike the dark passions, awe is a pro-social emotion. It can encourage attitudes of generosity and altruism; of selflessness, empathy, and compassion. The sense that we are part of something vast and meaningful can create bonds of connection.” • An essay on Brian Eno’s legacy. “It’s possible, today, to go… Continue reading

    Curating The Week
  • September 22, 2025

    Tenebrae (Cycles Version)

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    abundance, atelier, cycles version
  • September 19, 2025

    Embered

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    Uncategorized
  • September 18, 2025

    Brett’s Sound Picks: Verses GT’s “Left” (2025)

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    Uncategorized
  • September 17, 2025

    Resonant Thoughts: Lewis Hyde’s “The Gift: Creativity and the Artist in the Modern World” (1983/2007)

    “Where there is no gift there is no art” (13). “Usually, in fact, the artist does not find himself engaged or exhilarated by the work, nor does it seem authentic, until this gratuitous element has appeared, so that along with any true creation comes the uncanny sense that ‘I,’ the artist, did not make the… Continue reading

    Resonant Thoughts
  • September 16, 2025

    Music and Energy

    Paul Klee, Ancient Sound (1925) Music is all energy. From its oscillating sound waves to its emotional effects on listeners, music encapsulates and compresses energy and then unleashes it back into the world. The orchestra, the choir, the DJ, the percussionist–musicians are energy artisans who use sound to build fleeting structures of feeling. Composing, a… Continue reading

    energy
  • September 15, 2025

    Freeze Studies 5

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    Uncategorized
  • September 12, 2025

    Brett’s Sound Picks: Ævestaden’s “Bort från kursen” (2025)

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    Brett’s Sound Picks
  • September 11, 2025

    Marimba Mediations 3

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    awesomeness
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Curating The Week: Blogging, Music and Truth-Telling, Memory
  • Resonant Thoughts: Daniel Poppick’s “The Copywriter” (2026)
  • Brett’s Sound Picks: Shane Parish/Autechre’s “Maetl” (2026/1993)
  • Aftertouch
  • Database: Jennifer Loveless On The Quality Of First Takes

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