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brettworks

thinking through music


  • July 22, 2021

    D 15

    Continue reading

    sketch, Uncategorized, voice
  • July 21, 2021

    Art About Music: “Chinese Musicians” (Anonymous, Chinese, 19th c.)

    This painting is of two drummers, but it’s the stark, blank space framing them that catches our attention the most. The space has no borders and it’s almost without depth as well, save for the faint shadows next to female drummer who stands. She sways with a small tom tom strapped over her left forearm,… Continue reading

    art about music
  • July 20, 2021

    Tacit

    Available on Spotify Continue reading

    new music
  • July 19, 2021

    Resonant Thoughts: Robert Irwin On Beauty, Perception, And Framing

    “Beauty is all around you. You open your eyes in the morning, the world is totally formed. You haven’t done anything other than be. It’s all around you. The whole idea is being able to recognize it, and pay attention to it, articulate it.” I’m trying to make the most beautiful thing and knock your… Continue reading

    frames of attention, Resonant Thoughts
  • July 15, 2021

    DA 6

    Continue reading

    sketch
  • July 14, 2021

    Art About Music: Rembrandt’s “The Strolling Musicians” (c. 1635)

    Continue reading

    art about music
  • July 13, 2021

    Brett’s Sound Picks: Nadia Struiwigh’s “-5” (2021)

    (The 2021 Playlist.) Continue reading

    Brett’s Sound Picks
  • July 12, 2021

    Process, Not Outcome

    “Musical processes can give one a direct contact with the impersonal and also a kind of complete control, and one doesn’t always think of the impersonal and complete control as going together. By ‘a kind’ of complete control I mean that by running this material through the process I completely control all that results, but… Continue reading

    musical process
  • July 9, 2021

    Brett’s Sound Picks: Thomas Köner’s “Nuuk (Air) (2021)

    (2021 Playlist.) Continue reading

    Brett’s Sound Picks
  • July 7, 2021

    D7

    Continue reading

    beats, sketch, slownesss
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Unquantized (Remodel)
  • Curating The Week: The Brand Age, Selling Out, Sync Music
  • Resonant Thoughts: John Ashbery’s “A Wave” (1984)
  • Art About Music: Google’s Lyria 3 (2026)
  • Studio Observations: Listening To Improvisation

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