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brettworks

thinking through music


  • March 23, 2021

    Notes On Shifting Attentions: From Practicing To Performing

    “A categorization is a natural way of identifying a kind of object or experience by highlighting certain properties, downplaying others, and hiding still others…To highlight certain properties is necessarily to downplay or hide others, which is what happens whenever we categorize something. Focusing on one set of properties shifts our attention away from others. When… Continue reading

    attention, attentional arcs, Uncategorized
  • March 22, 2021

    CT5D

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    effects, sketch, subliminal feeling
  • March 19, 2021

    Notes On Musical Tensions and Canon Counterpoints

    Notation for Le Ray Au Soleyl by Johannes Ciconia (c. 1390s) What is it that keeps your attention when you encounter a music? Is it its instrumentation and timbre world? Its performers (human or machine)? Its melodies? Its chords and harmonies? Its feel and vibe? Its sheer volume? (That bass!) Its rhythms that make you… Continue reading

    counterpoint, musical tension, musical time stretching
  • March 18, 2021

    Resonant Thoughts

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    Resonant Thoughts
  • March 17, 2021

    25 August (piano)

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    piano music, play
  • March 16, 2021

    Art About Music: Laurent de La Hyre’s “Allegory of Music” (1649)

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    art about music
  • March 15, 2021

    Long Tone Music

    (Available on Spotify.) Continue reading

    new music
  • March 12, 2021

    Curating The Week: The Disappearance Of Musical Genre, Musicality In EDM, Wind

    • An article about the disappearance of musical genre. “Genre is a reductive, old-fashioned, and inherently problematic idea, and we should all be eager to see it rendered moot, but I remain curious about the contours of a post-genre world—what that might open up for the future, and what might be sacrificed.” • An essay… Continue reading

    Curating The Week
  • March 11, 2021

    Arrows Of Attention: The Musical Minimalist’s Manual

    Identify your idea’s smallest musical unit. What part, aspect, or quality of what you’re playing or composing is its essence? Is it a rhythm, a series of chords, a melody, a stasis, an unusual orchestration, a timbre combination? Identify the essence and pursue it, amplify it. One sound, one part at a time. Refine and… Continue reading

    arrows of attention, mindware, minimalism, minimalism and maximalism, minimum force, minor epiphanies
  • March 10, 2021

    Brett’s Sound Picks: The Black Dog’s “Ringinglow Oscillation” (2021)

    (Follow Brett’s Sound Picks 2021 playlist.) Continue reading

    Brett’s Sound Picks
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • 2 September
  • Curating the Week: Juggling, Music Teachers, Writing, Tacit Knowledge in Research
  • 8000 Studies
  • 7 August
  • Interior Jumble (Rhythm Remodel)

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