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brettworks

thinking through music


  • March 9, 2021

    Art About Music: John George Brown’s “The Music Lesson” (1870)

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    art about music
  • March 8, 2021

    On Thin Ice

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    motion, movement, sampling, sketch
  • March 5, 2021

    Curating The Week: Decolonizing Music Software, Max Mathews, Ambience Rooms

    • An article about decolonizing electronic music software. “I find Ableton pushes me towards following the beat grid. Everything sounds somehow Western—very mechanical, not organic like the rough tones and raw drums I heard growing up in Nairobi. Even as I try to break away from the loops and the 1-2-3-4 drive of these music… Continue reading

    ambience rooms, Curating The Week
  • March 4, 2021

    Not’s Power

    When you’re not selling anythingnot networkingnot trying to get aheadnot leveraging upon your existing skillsnot building on your successnot trying to fit innot playing to the crowdnot being on messagenot showing gratitudenot easy listeningnot putting on airsnot seeing it in perspectivenot humble braggingnot doing it with a goal in mindnot giving a shout outnot tipping… Continue reading

    Uncategorized
  • March 3, 2021

    Brett’s Sound Picks: Shivkumar Sharma’s “Raga Bhinna Kauns” (2021)

    (Listen to the dynamic range, down to whisper soft.) (Brett’s Sound Picks 2021.) Continue reading

    Brett’s Sound Picks, raga
  • March 2, 2021

    Mood Reel

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    it doesn’t matter how blog posts are tagged, sketch
  • March 1, 2021

    Pulsations

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    pulsation, pulseology, sketch
  • February 26, 2021

    [Untitled]

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    mindware, ocean waves, studio monitors, study music, thought tools
  • February 25, 2021

    Creative Notes: What The Tech Does, What We Do

    The tech calculates, we wonder What if?The tech measures, we balance.The tech generates data sets, we create ad hoc.The tech recalls perfectly, we remember fleetingly.The tech suggests if this, then that?, we associate by other means.The tech presents patterns, we seek meanings.The tech proliferates options, we seek constraints.The tech makes loops and redundancies, we make… Continue reading

    creative notes, human-technology interaction, tacit knowledge, techno-musical systems, Technology
  • February 24, 2021

    Brett’s Sound Picks: Thys & Noordpool Orchestra’s “Turning Point” (2021)

    (Brett’s Sound Picks 2021.) Continue reading

    Brett’s Sound Picks, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • 2 September
  • Curating the Week: Juggling, Music Teachers, Writing, Tacit Knowledge in Research
  • 8000 Studies
  • 7 August
  • Interior Jumble (Rhythm Remodel)

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