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brettworks

thinking through music


  • June 1, 2020

    Inner Navigation: Music Production Routes

      In a recent post I wrote about being continually lost whilst producing music. But I neglected to mention that in addition to being lost, I’m finding ways to navigate the uncharted paths of my music software. To put it another way: now that I’m okay with being lost, I’ve turning my attention to how… Continue reading

    music production, musical navigation, Uncategorized
  • May 29, 2020

    Music For Solo Piano

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    ambient music, solo piano music, Uncategorized
  • May 28, 2020

    Resonant Thoughts: Rival Consoles On Sketching Ideas For Music

    “Over the past 5 years I have been sketching compositions on paper. Sometimes they are detailed, specific outlines of what I imagine for the music, sometimes they are how I would like a synth to sound, sometimes they are me thinking out loud about the structure of the music I am working on. The main… Continue reading

    music notation, Resonant Thoughts, Uncategorized
  • May 27, 2020

    Art About Music: Henri Matisse’s “The Piano Lesson” (1916)

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    art about music, piano music, Uncategorized
  • May 26, 2020

    (Untitled)

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    ambient music, concentration, Uncategorized
  • May 22, 2020

    Being Lost In Music Production

    It might come as a surprise for you to know that when I’m making new music, I’m usually lost—lost in the sounds, obviously, but also in the sense that I don’t quite have my bearings: it’s not clear where the music is going, where I am in the midst of that going, and which steps… Continue reading

    being lost, music production, music technology, Uncategorized
  • May 21, 2020

    Resonant Thoughts: Bill Buford’s “Dirt” (2020)

      “I wondered: Is creativity more easily expressed in rigorous structures?” “You learn the old stuff before you try the new stuff. You learn the old stuff in order to do the new stuff. The old stuff is not easy. You are not yet good enough to be creative. A recipe is only an introduction.… Continue reading

    Resonant Thoughts, Uncategorized
  • May 20, 2020

    Brett’s Sound Picks: Subheim’s “Sundays” (2019)

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    Brett’s Sound Picks, Uncategorized
  • May 18, 2020

    Untitled

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    long tones, Uncategorized, waves
  • May 14, 2020

    Resonant Thoughts: Robert Twigger’s “Micromastery” (2018)

    “A micro mastery has a structure that connects in a crucial way to important elements in the greater field it is a part of. It reveals relationships and balances in the elements of the task that mere words and explanation, textbook-style, cannot. Its repeatability and game ability…turn it into a self-teaching mechanism, where experimentation within… Continue reading

    Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Curating The Week: AI and Human Touch, AI and Writing, AI and Taste
  • Marimbafied 35
  • Pianola
  • Tuning
  • Unquantized (Remodel)

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