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brettworks

thinking through music


  • May 23, 2025

    Brett’s Sound Picks: Dino Saluzzi’s “Quiet March” (2025)

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    Brett’s Sound Picks
  • May 22, 2025

    Curating The Week: Experience In The Digital Age, Swing Changes And Teachers, Social Media Art, Narrative Warfare

    “It feels as if the whole world has been transformed into images of the world and has thus been drawn into the human realm, which now encompasses everything. There is no place, no thing, no person or phenomenon that I cannot obtain as image or information. One might think this adds substance to the world, Continue reading

    Curating The Week
    AI, art, Creativity, education, teaching
  • May 21, 2025

    Resonant Thoughts: Jordan Mechner’s “The Making of Prince of Persia” (2011)

    “I’m having trouble preserving that fluidity and realism when I clean it up and stylize the figures” (33). “The unlimited potential has been replaced by the concretereality of what I programmed today” (103). “Level design is a creative process, like screenwriting: you can’t just sit down and put in ten hours at a stretch, you Continue reading

    Resonant Thoughts
  • May 20, 2025

    Versa Est

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    Uncategorized
  • May 12, 2025

    Brett’s Sound Picks: Proc Fiskal’s “Canticle Hardposte” (2025)

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    Brett’s Sound Picks
  • May 10, 2025

    Fifth Tuning

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    metallophonology, Uncategorized
  • May 7, 2025

    Curating The Week: AI and The Mind, AI and The Humanities, Enji

    “It’s becoming clear that artificial intelligence can relieve us of the burden of trying and trying again. A.I. systems make it trivially easy to take an existing thing and ask for a new iteration.” “The whole painful cycle of trying, failing, revising, judging, and redoing can be replaced with something simpler: plucking the most suitable Continue reading

    Curating The Week
    AI, artificial-intelligence, consciousness, philosophy, technology
  • May 5, 2025

    Brett’s Sound Picks: William Tyler’s “Anima Hotel” (2025)

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    Brett’s Sound Picks, taste
  • May 2, 2025

    Tuned

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    bells, metallophonology
  • April 30, 2025

    Resonant Thoughts: Alex Hutchinson’s “The Explorer’s Gene” (2025)

    “It turns out that minimizing surprise is equivalent to minimizing entropy, which in turn is equivalent to minimizing another mathematical quantity (borrowed from physics) called free energy. In this way, the goal of minimizing surprise explains both perception and action. We act […] in order to ensure that our predictions become self-fulfilling prophecies” (58). “The Continue reading

    Resonant Thoughts
    consciousness, mental-health, neuroscience, philosophy, science
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • When Less Leads To More
  • Omni 98 bpm
  • Drumming Diaries: Grip
  • Resonant Thoughts: Molly Bang’s “Picture This” (1991/2016)
  • Omni 96 bpm

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