brettworks

thinking through music

artificial-intelligence

October 7, 2026

Resonant Thoughts: Jill Lepore’s “The Rise and Fall of the Artificial State” (2026)

“farms of servers, clouds of data, AI ecosystems—the allusions are always to the natural world that the machinery is destroying” (5). “Within the Artificial State, nearly every element of public and democratic life—civil society, representative government, an informed citizenry, equality of rights, freedom of thought, freedom of expression, and faith in elections—is vulnerable to subversion… Continue reading

Resonant Thoughts

AI, artificial-intelligence, philosophy, technology
August 18, 2026

Curating The Week: Creative Mindsets, Perceiving Time, AI’s Effects On Writing

• An essay on creative mindsets. “The three years of solitary work at Montpellier had not been wasted in the least: that intellectual isolation was what had allowed [mathematician Alexander Grothendieck] to access the cognitive space where new ideas arise. He had made himself at home there.” “This might look wasteful if you think what… Continue reading

Curating The Week

AI, artificial-intelligence, writing
July 2, 2026

Resonant Thoughts: Cory Doctorow’s “The Reverse Centaur’s Guide to Life After AI” (2026)

“Art is what happens when an artist has a big, numinous, irreducibly complex feeling in their mind, which they infuse into some artistic medium—a book, a song, a dance, a painting, a photograph, and such—in the hopes of making a facsimile of that big, numinous, irreducibly complex feeling materialize in the minds of people who… Continue reading

Resonant Thoughts

AI, art, artificial-intelligence, technology, writing
June 23, 2026

Curating The Week: AI as System, AI’s Didacticism, Vermeer’s Art

• An essay by L.M. Sacasas on how AI is a system, not a tool. “AI is not a tool in this sense, it is an environment which envelops the user and works on us from the inside out while we naively think that we remain unchanged by our use so long as we are… Continue reading

Curating The Week

AI, artificial-intelligence, technology, writing
June 12, 2026

Curating The Week: AI’s Conversation Deep Fakes, Notre-Dame’s (New) Acoustics, AI and Human Agency, AI and Creativity

• An essay on AI’s conversation deep fakes. “The term deepfake traditionally refers to photos, audio, and video, but when it comes to discussions of consciousness, we need to regard text as a deepfake medium as well. Just as it is vastly easier to generate a realistic video of an astronaut in orbit around Alpha… Continue reading

Curating The Week

AI, artificial-intelligence, writing
May 24, 2026

Curating The Week: AI Slop Prehistory, Lo-Fi Rebellion Against AI, The Attention Economy And Anxiety

• An essay on the prehistory of AI slop. “text produced by large language models, however remarkable, sophisticated, and even occasionally wondrous, is derivative, average, predictable. It is language without a mind. But is that even language?” “There’s nothing wrong with nonsense. But it’s not always poetry. And mistaking one for the other is another… Continue reading

Curating The Week

AI, artificial-intelligence, writing
April 15, 2026

Curating The Week: Playing Mandolin, Sound Design, AI in Writing, AI’s Impact On Artists, Nature and Attention

• An essay about returning to the mandolin at an older age. “Is domestic music a second-class thing? Discovering this history, I felt strongly what a different phenomenon music is when you make it yourself. You’re inside it, living it, experiencing a pleasure so intense that pleasure is perhaps no longer the word. This surely… Continue reading

Curating The Week

AI, artificial-intelligence, music, technology, writing
December 31, 2025

Curating The Week: Artistic Toil, Aphoristic Intelligence, AI Slop, Reclaiming One’s Mind

• An essay on artistic toil. “…instances of just how willing the great artists are to undergo tedious, repetitive, finger-cramping work—toil—in the service of their craft. In some of these examples, such as the stonework of a cathedral, there was a higher purpose to justify the toil. But often it seems that the artists engaged… Continue reading

Curating The Week

AI, art, artificial-intelligence, technology, writing
December 3, 2025

Curating The Week: AI and Search, AI in Music, Perfectionism

• An essay on AI and search. “There is a road that must be crossed, by Google and also by the rest of us. On one side is a digital world with its largely familiar structure, fuelled by familiar kinds of advertising, in many of whose forms Google excels. To make liveable whatever lies on… Continue reading

Curating The Week

AI, artificial-intelligence, music
November 7, 2025

Curating The Week: AI and Thinking, Sound Designing, AI and De-Skilling

• An essay about AI and thinking. “It can seem unnatural, even repulsive, to imagine that a computer program actually understands, actually thinks. We usually conceptualize thinking as something conscious, like a Joycean inner monologue or the flow of sense memories in a Proustian daydream. Or we might mean reasoning: working through a problem step by… Continue reading

Curating The Week

AI, artificial-intelligence, education, writing

Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.