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brettworks

thinking through music


  • December 30, 2019

    Notes On Perfect

    It’s said that perfectionism is a dangerous trait that leads you on endless goose chases after forever unattainable standards. Or that perfectionism catches you in its net of your own making, as the depth of your aspirations slowly suffocate your ability to finish things: If only I could fix this, this, and this, then it… Continue reading

    music production, perfectionism, Uncategorized
  • December 27, 2019

    On Musical Stasis And Directionality

    In some of my favorite musics there’s a tension between a sense of stasis and directionality. Stasis describes a music that “stays in one place” through repetition of one sort or another, while directionality describes a music that “goes somewhere”, usually through melody and harmony. A vamp or a repeating breakbeat is an example of… Continue reading

    stasis and directionality, Uncategorized
  • December 26, 2019

    Brett’s Sound Picks: The Humble Bee’s”Off Camera” (2019)

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    Brett’s Sound Picks, Uncategorized
  • December 23, 2019

    Notes On Working In Layers

    “Artworks are devices for engineering attention.” – Susan Tallman Insofar as I take inspiration from artists who don’t work with sound, in 2019 I took a lot of inspiration from Vija Celmins, who I first heard about via a (yet another excellent) Calvin Tomkins New Yorker profile. Celmins is celebrated for her meticulous paintings and… Continue reading

    layered creativity, Uncategorized
  • December 20, 2019

    Resonant Thoughts: Paul Klee’s “Pedagogical Sketchbook” (1925)

      “The father of the arrow is the thought: how do I expand my reach? Over this river? This lake? That mountain?” “Be winged arrows, aiming at fulfillment and goal, even though you will tire without having reached the mark.” Paul Klee, Pedagogical Sketchbook, p. 54. Continue reading

    Resonant Thoughts, Uncategorized
  • December 19, 2019

    Musical Logics

    Musical logic is reasoning by other means— not knowing the key but feeling the mode not counting beats but feeling the pulse not planning the form but keeping it open not according to plan but making it up on your way. Music is the pleasure the human mind experiences from counting without being aware that… Continue reading

    poetry, Uncategorized
  • December 18, 2019

    Brett’s Sound Picks: Steve Hauschildt’s “The Nature Remaining” (2019)

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    Brett’s Sound Picks, Uncategorized
  • December 17, 2019

    Art About Music: Peter Doig’s “Music Of The Future” (2003-2007)

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    art about music, Uncategorized
  • December 16, 2019

    On Minimalism and Maximalism

    When I’m working on music I alternate a lot between what I call minimalism and maximalism. In addition to its meaning from avant grade music (as the repetition of short phrases that gradually change to create a hypnotic effect), minimalism for me means working with a single sound and finding much of interest in that.… Continue reading

    minimalism and maximalism, Uncategorized
  • December 13, 2019

    Curating The Week: DeepComposer, Vija Celmins, Peripheral Vision

    • Amazon’s AWS DeepComposer demonstration. The video is worth watching, if only to hear how abysmal the music is. • An article on the art of Vija Celmins (someone who has inspired me to work in layers). “Up close, you see that every swell, curl, and cranny has been given its individual due. There are… Continue reading

    Curating The Week, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Drumming Diaries: Energies of Performance
  • Brett’s Sound Picks: øjeRum’s “I (2026 remaster)”
  • In The Works: 28 April
  • Resonant Thoughts: John Berger’s “Permanent Red: Essays in Seeing” (1960/2025)
  • Stolen Moments Are Open-Ended

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