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brettworks

thinking through music


  • December 7, 2018

    How I Use Brett’s Sound Picks

    My Spotify playlist, Brett’s Sound Picks 2018, is an ever-growing collection of favorite pieces of music from the past year. Once a week I comb through new releases in search of good stuff—and I keep finding it. The playlist now has almost 80 tracks. I listen to it often to get ideas, pressing Shuffle to… Continue reading

    Brett’s Sound Picks, chance, inspiration, Uncategorized
  • December 6, 2018

    Resonant Thoughts: Curtis Roads’ “Composing Electronic Music: A New Aesthetic” (2015) 

    “In the real world of acoustic instruments, every note and drum stroke is unique. Thus we seek to avoid the bland impression of repeated sounds that never change. It is worthwhile to take the trouble to articulate a unique identity for each object by creative editing and processing. This includes stamping each sound with a unique… Continue reading

    Resonant Thoughts, Uncategorized
  • December 5, 2018

    Flow Studies: On Sport’s Physical Music

    (Excuse the terrible soundtrack to the swimming video.) Continue reading

    flow studies, Uncategorized
  • December 4, 2018

    Caravaggio’s “The Musicians” (c. 1595)

    Continue reading

    art about music, Uncategorized
  • December 3, 2018

    On The Editing Mindset

    I spend more time editing music than I do recording it. As I’ve talked about this topic here and here on this blog, my typical workflow is to work up pieces over a few weeks and then put them aside for about a year. (Isn’t this the aging secret of cheese- and wine-making?) Eventually I… Continue reading

    editing, music editing, Uncategorized
  • November 30, 2018

    Freestyle: On Musical Clichés

    Make beat 1 or the downbeats obvious. There needs to be a hook. Write a great melody. Don’t repeat too much. Disguise your effects processing. Make it sound like music that is already out there. Make it danceable. Make the drums “punchy.” Make sure everything is in tune. There’s an achievable “pro sound.” Make it… Continue reading

    freestyle, Uncategorized
  • November 29, 2018

    Resonant Thoughts: Mark Fisher’s “K-Punk” (2018)

    “If the Nineties were defined by the loop (the ‘good’ infinity of the seamlessly looped breakbeat, Goldie’s ‘Timeless’), then the twenty-first century is perhaps best captured in the ‘bad’ infinity of the animated GIF, with its stuttering, frustrated temporality, its eerie sense of being caught in a timetrap. This frustrated, angular time–and the enjoyment of… Continue reading

    Resonant Thoughts, Uncategorized
  • November 28, 2018

    Brett’s Sound Picks: Teebs’ “Why Like This?” (2018)

    Continue reading

    Brett’s Sound Picks, Uncategorized
  • November 27, 2018

    Hieronymus Bosch’s “Concert in the Egg” (c. 1561)

    Continue reading

    art about music, Uncategorized
  • November 26, 2018

    Make It Exquisite

    exquisite—beautiful, lovely, elegant, fine, magnificent, superb, well-crafted Make it exquisite. This phrase pops up from time to time as an end-goal for whatever I’m working on, a reminder that the made thing should be as well-crafted as I can make it and have some kind of attractiveness (at least for me, and hopefully for you).… Continue reading

    music production, musical taste, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Laura Cannell On The Mechanics Of Acoustic Instruments, Improvising, And Simple Motifs
  • Omni 128 bpm
  • Brett’s Sound Picks: Laura Cannell’s “The Water Had Carried Her” (2026)
  • Curating The Week: AI and Human Touch, AI and Writing, AI and Taste
  • Marimbafied 35

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