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brettworks

thinking through music


  • January 6, 2025

    Arp

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    pulseology
  • January 5, 2025

    Resonant Thoughts: Witold Rybczynski’s “How Architecture Works: a Humanist’s Toolkit” (2011)

    “You arrive at the sublime or poetic not by metaphor, but by making virtues out of necessity. That’s the secret of design.” Diamond Schmitt “The plan is the generator.” Le Corbusier “Values, not rules.” Witold Rybczynski, How Architecture Works Continue reading

    design, Resonant Thoughts
  • January 3, 2025

    Atelier: current studies #6

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    atelier, pulseology
  • December 23, 2024

    Atelier: Three Tones (Marimbafied Version)

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    atelier
  • December 21, 2024

    Curating The Week: Devaluing Music, Vibes, The New Minimalism

    “Perhaps Spotify understood the stakes—that when it removed real classical, jazz, and ambient artists from popular playlists and replaced them with low-budget stock muzak, it was steamrolling real music cultures, actual traditions within which artists were trying to make a living. Or perhaps the company was aware that this project to cheapen music contradicted so Continue reading

    Curating The Week
    music, playlist, Spotify
  • December 20, 2024

    Three Tones

    Listen Continue reading

    Uncategorized
  • December 19, 2024

    Database: Hans Zimmer On Not Using Presets

    “I don’t really have any finished programs in my synthesizers, I just have the neutral program I go from and I set up each sound individually as it comes along, because it will never be right just calling up a preset. It’ll never be as perfect as if you tweaked it and actually spent a Continue reading

    database
    synthesizer, synthesizers
  • December 18, 2024

    Idea Meditation

    Rembrandt, Philosopher in Meditation (1632) “Musical” is sound that compels us to listen intently. Chords are shades of feeling. Craft excellence compounds into aesthetic power and is its prerequisite. Devise a musical system first, then worry about its output. Do whatever you need to get the output you want, then analyze (or not) the musical Continue reading

    idea meditation
  • December 17, 2024

    Resonant Thoughts: Callum Robinson’s “Ingrained” (2024)

    “A Brief Note On: Finding Your Voice Pore over books and magazines, get online, read interviews with designers in different fields and discover, if you can, what moves them to do what they do. Scroll (God help you) through social media. Collect, curate, and digitally scrapbook. Train that algorithm to feed you something nutritious for Continue reading

    craft, Resonant Thoughts
  • December 16, 2024

    Atelier: Plucked, Struck, Sampled

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    atelier
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Brett’s Sound Picks: Musicentrydelete’s “Depth” (2025)
  • When Less Leads To More
  • Omni 98 bpm
  • Drumming Diaries: Grip
  • Resonant Thoughts: Molly Bang’s “Picture This” (1991/2016)

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