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brettworks

thinking through music


  • March 12, 2025

    Database: Aphex Twin On Working Out New Musical Languages And Reconfiguring The Brain

    “I work intuitively. I actually prefer it if I don’t know what I’m supposed to do. If you’ve got an equal temperament piano keyboard, then you know what you’re going to get if you play certain chords. But I actually like it if you don’t know where the notes are, because then you do it… Continue reading

    database, intuition
  • March 10, 2025

    Marimbafied 10

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    anti-boredom, atelier
  • March 8, 2025

    Database: Moritz von Oswald On Rhythms That Stand Still

    “We used patterns that weren’t really defined, but they work with each other and are constantly changing. It’s a state where the music is not moving, just kept like a Polaroid, in a way, where you have something going on rhythmically, but it actually stands still at the same time.” Moritz von Oswald Continue reading

    database, Uncategorized
  • March 6, 2025

    atelier: piano (open loops series) (2.3.25)

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    atelier
  • March 5, 2025

    Resonant Thoughts: Christopher Alexander’s “The Nature of Order” (2002)

    “What is order? We know that everything in the world around us is covered by an immense orderliness. We experience order every time we take a walk. The grass, the sky, the leaves on the trees, the flowing water in the river, the windows in the houses along the street–all of it is immensely orderly.… Continue reading

    aesthetics, Resonant Thoughts
  • March 4, 2025

    Resonant Thoughts: Anna Wiener’s “Uncanny Valley” (2020)

    “Listening to EDM while I worked gave me delusions of grandeur, but it kept me in a rhythm. It was the genre of my generation: the music of video games and computer effects, the music of the twenty-four-hour hustle, the music of proudly selling out. It was decadent and cheaply made, the music of ahistory,… Continue reading

    Resonant Thoughts
  • March 3, 2025

    Pulsation and Long Tones

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    groovology
  • February 28, 2025

    Newsletter Recommendation: Letters From An American

    Historian Heather Cox Richardson’s Letters From An American is a daily newsletter (text and audio) about the history behind today’s politics. Continue reading

    reading recommendations
  • February 26, 2025

    Brett’s Sound Picks: Barker’s “Stjernenatt” (2025)

    Continue reading

    Brett’s Sound Picks
  • February 25, 2025

    Curating The Week: AI Writing Assistants, Zone 2 Training, New Musical Instruments

    “Letting a robot structure your argument, or flatten your style by removing the quirky elements, is dangerous. It’s a streamlined way to flatten the human mind, to homogenize human thought. We know who we are, at least in part, by finding the words—messy, imprecise, unexpected—to tell others, and ourselves, how we see the world. The… Continue reading

    Curating The Week
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Jup-8000, No. 1
  • Curating The Week: Blogging, Music and Truth-Telling, Memory
  • Resonant Thoughts: Daniel Poppick’s “The Copywriter” (2026)
  • Brett’s Sound Picks: Shane Parish/Autechre’s “Maetl” (2026/1993)
  • Aftertouch

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