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brettworks

thinking through music


  • February 2, 2016

    Juxtapositions: Edward Hopper’s “Nighthawks” (1942) And DJ Richard’s “Nighthawk” (2015)

      Edward Hopper’s most iconic painting depicts several people in a city diner late at night. As with much of Hopper’s work, the mood of the scene is desolate, empty. The people seem more like concepts than characters, their individual life stories forever hidden  from our view. In the Hopperian world, time itself is frozen.… Continue reading

    criticism, juxtapositions
  • January 29, 2016

    An Article In The Oxford Handbook Of Music And Virtuality

    I have an article in The Oxford Handbook of Music and Virtuality (2016), edited by the late Sheila Whiteley and Shara Rambarran. The book’s thirty-one chapters, write the editors, examine “the intersections, mutations, and transmigrations of the virtual and the real” by offering “a kaleidoscope of interdisciplinary perspectives from scholars around the globe on the… Continue reading

    book reviews
  • January 26, 2016

    On Writing As Flying

    Imagine you’re an attentive bird. You love flying because flying is what you do—it’s what you’re designed for. You’re soaring high above a landscape—riding the air currents, maybe somewhere in rural England, or Western Canada. You look down and notice the rolling hills, a stream that flows through them, and just off in the distance,… Continue reading

    metaphor, writing
  • January 23, 2016

    Curating The Week: Composed Music, Building Acoustics, Underwater Noise, And Spaced Repetition

    • An article that proposes “Composed Music” to describe classical music. “Composed Music’s primary virtue is its blunt veracity. It is what it says it is: works by a singular mind, fixed and promulgated in written form. When you think about it, that is probably the one and only thing that unites all eras and… Continue reading

    Curating The Week
  • January 22, 2016

    From The Archives: Wonders (1997)

    Music from my 1997 recording Wonders, scored for marimbas and vibraphones. Continue reading

    from the archives, percussion
  • January 20, 2016

    Notes on Dennis DeSantis’s “Making Music: 74 Creative Strategies For Electronic Music Producers”

      “Making Music is not a collection of vague aphorisms. Instead, it combines motivational ideas about the philosophy and psychology of music-making with hands-on tools and techniques that musicians of all kinds can use to really get work done.” – Dennis DeSantis, Making Music Making Music: 74 Creative Strategies For Electronic Music Producers (2015) by Dennis… Continue reading

    book reviews, creative strategies
  • January 12, 2016

    Curating The Week: Criticism Of Music Criticism, Music In Advertising, And The Oldest Known Song

    1. An article that considers the significance of the recent critical attention paid by (serious) music journalism towards (serious?) pop music. Case in point: the New York Times’ article and video documentary on the making of Justin Bieber’s “Where R  Ü Now.” “The New York Times’ pieces challenge us as to how seriously we are prepared to… Continue reading

    Curating The Week
  • January 8, 2016

    100 Metaphors For Thinking Through Creativity

    Creativity is a balancing act. Creativity is a candle that burns for a while. Creativity is a circuit. Creativity is a difference that makes the difference. Creativity is a game. Creativity is a key. Creativity is a lone voice. Creativity is an encounter. Creativity is an outpouring. Creativity is a radar system. Creativity is a… Continue reading

    analogies, Creativity, metaphor
  • January 5, 2016

    Curating The Week: Ryuichi Sakamoto, Clocks And The Body, And Chris Watson

    1. An interview with Ryuichi Sakamoto. “It was one of my uncles who is a big music lover and record collector. Since the age of three or four I often visited his room to play his piano and pick some vinyl records to play. The first music I got really into was Bach. I was… Continue reading

    Curating The Week
  • December 30, 2015

    On Editing Music While Listening And Looking At It

    While working on a musical project recently I realized the value of editing while looking at the MIDI notes. Listening to the music while following along each part one at a time lets me see what’s sounding and then make the appropriate changes in dynamics and arrangement. For instance, I can hear that there’s a… Continue reading

    creative strategies, editing
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Brett’s Sound Picks: Actress and Suzanne Ciani’s “Concrète Waves Barcelona B4” (2026)
  • The Real, The Virtual, and Thinking Compositionally
  • No. 6
  • Art About Music: “When Is That Young Man Going Home?” (1931)
  • Curating The Week: Freedom, Exceptionalism, Finishing

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