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brettworks

thinking through music


  • May 29, 2017

    Art About Music: John Thornton’s Stained Glass Window At Great Malvern Priory (c. 1440)

    Continue reading

    art about music, stained glass, Uncategorized
  • May 25, 2017

    The Percussionist

    The next time you’re at a concert notice the melodists up front –those singing, strumming, bowing or blowing through pipes– and watch them sway with the tune as if they invented its themes as if they’re unlocking its emotions then notice the rhythmicists at the back –those drumming hammer blows or mallet strikes– and feel how they… Continue reading

    percussion, poetry, Uncategorized
  • May 23, 2017

    The Sampler

    It begins with a sound I want but have not earned the right to use because the sound isn’t from me I didn’t make it it isn’t mine it had a life before I came along to yank it forward in time separate it from its context ignoring its history I just need its potential… Continue reading

    poetry, sampling, Uncategorized
  • May 21, 2017

    Curating The Week: Drumming Instruction Books, Geoff Dyer, And Anna Thorvaldsdottir

    • An article by John Colpitts about drumming instruction books. “The student musician’s lot is a lonely one. Often these books are your only companions, outside of occasional meetings with an instructor. You hunger for some kind of contact, some wisdom beyond the mind-numbing exercises. Sometimes it feels as if you’re only engaging with the slog… Continue reading

    Curating The Week, Uncategorized
  • May 19, 2017

    Dialed In

    The phrase posits people as a set of knobs for twisting lining up their numbers as if concentration is a radio or combination lock in search of the right station reducing the static click into action to hack thinking input the numbers quantify the self put it on the line believing that performing is running… Continue reading

    poetry, Uncategorized
  • May 18, 2017

    Curating The Week: MP3s, Critical Feedback, AI Sound Design

    • An article about the effects of the MP3 compression format on music’s perceived emotional characteristics. “The results showed that MP3 compression strengthened neutral and negative emotional characteristics (things like Shy, Scary, Sad) and weakened positive emotional ones (like Happy, Romantic, Calm). Interestingly, the characteristic Anger was relatively unaffected. The study suggested that the background ‘growl’ added… Continue reading

    Curating The Week, Uncategorized
  • May 17, 2017

    Alien Aurality

    Imagine how an alien sensibility might hear your music as a series of sound-gestures meaning otherwise than what practiced moves should mean so that jazz isn’t swing rock doesn’t rebel classical can’t conjure and dance won’t trance as the sensibility hears through and beyond your musical moves past even their signals’ social and resonant rapport… Continue reading

    aurality, impossible signs, listening, poetry, Uncategorized
  • May 15, 2017

    On More From Less: Haim’s “Right Now”

    “Why does it have to take off in a conventional sense? Enjoy the layers instead.” (worst coast) “I don’t understand why people are complaining that this isn’t ‘going anywhere.’ Girl, it does not have to go anywhere! You hear that raw emotion in her voice? Yes queen!” (Becca Britton) Haim is a pop-rock band from Los Angeles… Continue reading

    more from less, music reviews, Uncategorized
  • May 10, 2017

    Lessons From Italo Calvino’s “Reading A Wave”

    If I were a fictionalist, I would write in the analytical-introspective manner of Italo Calvino (1923-1985). In Calvino’s novel Mr. Palomar, we follow one man’s attempts to increase his inner awareness by increasing his consciousness of his surroundings. Mr. Palomar is a practicing phenomenologist who tries to understand the world through all of its perceived details… Continue reading

    perception, phenomenology, Uncategorized
  • May 8, 2017

    Curating The Week: Optimal Performance, Hearing Music, Kara-lis Coverdale

    • An article by philosopher Barbara Gail Montero on the effortful aspects of optimal performance. (The author’s book on the topic is here.) “Flow sounds appealing, and it seems to frequently coincide with some of our most pleasurable pinnacles of human experience, but it doesn’t necessarily translate into optimal performance. In great athletes, performing artists,… Continue reading

    Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Clark on Zero Expectations and the Actual Idea
  • Fine-Tuning
  • Suspiramus
  • Database: Burial on the Impression of the Drums
  • My Favorite Things: Running Gear

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