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On Presence And Perception
“When I look at the world now, my posture is not one of focus but rather of attention.” – Robert Irwin At the heart of Seeing Is Forgetting the Name Of the Thing One Sees (1982/2009), Lawrence Weschler’s biography of the artist Robert Irwin, are two intertwined and reoccurring ideas: presence and perception. Irwin (1928-),… Continue reading
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On The Nature Of Blogs III
I have written before (here and here) about the nature of blogs and blogging. To add to that discussion, here’s four more ideas to add to the pile. This blog may be more for me than for you (though you’re welcome to it) because it’s an opportunity to: practice writing publicly, exercise efforts at inquiry… Continue reading
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On The Wisdom Of Online Listeners: Thinking Through A Performance Of Steve Reich’s “Music For Pieces Of Wood”
Sometimes a piece of music and an exceptional performance of it seem to telegraph to us some of the information we would need to know about what it is, how it works, and its presence in the world. Such may be the case with a rendition of Steve Reich’s “Music For Pieces Of Wood” by… Continue reading
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Richard Powers On Divisions In Music
“Music doesn’t mean things. It is things.” – Richard Powers In a recent interview on Radio Open Source with Christopher Lydon, novelist Richard Powers spoke about his new music-saturated novel, Orfeo. Powers makes a probing–and somewhat problematic–observation about the source of what he calls “the real division in music.” What he’s referring to, I think,… Continue reading
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On The Music Making Of Jon Hopkins
“My general view is just to have absolutely no planning in place at all and just to let my instinct kind of run wild a bit.” – Jon Hopkins Lately I’ve been enjoying the music of English composer Jon Hopkins. His recording Immunity (2013), shortlisted for last year’s Mercury Prize, is a tour de force… Continue reading
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On A.R. Ammons: “A Poem Is A Walk”
“Poetry is a mode of discourse that differs from logical exposition. Poetry is a verbal means to a nonverbal source. It is a motion to no-motion, to the still point of contemplation and deep realization. Its knowledges are all negative and, therefore, more positive than any knowledge. Nothing that can be said about it in… Continue reading
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On The Drumming Of Tony Allen
In his memoir Tony Allen: An Autobiography of the Master Drummer of Afrobeat (co-authored with Michael Veal, Duke University Press, 2013), the eminent Nigerian drummer recalls the influence of American jazz innovators on his own musicianship. It was in the playing of the African Americans such as Elvin Jones, Art Blakey, and Max Roach that… Continue reading
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On (More) Wonder In Apple Commercials: The “Your Verse” iPad Air Ad
I have written previously on this blog about the musical construction of wonder and enchantment in Apple commercials. (You can read the posts here, here, and also over here.) What I like about those ads is how their evocative soundtracks convey the humanity that Apple wants us to feel is either inherent in their products (a… Continue reading
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