Skip to content
    • about
    • ai in music resources
    • archives
    • art about music
    • atelier
    • books
    • brett’s sound picks
    • database (a cache of perceptions)
    • film
    • interview
    • keywords
    • music
    • thought tools
    • ventrilo-dialogues

brettworks

thinking through music


  • December 13, 2012

    On Advice To A Repetition Hater

    “Practice, repetition, and repetition of the repeated with ever increasing intensity are its distinctive features for long stretches of the way.” – Eugen Herrigal, Zen in the Art of Archery Reduced to its essentials, drumming is fundamentally about repetition. Imagine for a moment that you’re a drummer. You stand in front of a snare drum… Continue reading

    drumming, musical time, repetition
  • December 10, 2012

    On Grateful Sound: Thinking Through “Dark Star”

    I have a secret: over the past few weeks while riding the subway with headphones on I’ve been listening to the Grateful Dead. And maybe not coincidentally, I haven’t shaved in about two weeks. So as I write this I’m wondering–Are these twin facts somehow related? Do they point to a strange metamorphosis taking place… Continue reading

    improvisation, listening, popular music, repetition, wonder
    The Grateful Dead
  • December 3, 2012

    Bill Murray On (Groovy) Vibrations

    In a recent New York Times interview, the actor Bill Murray discusses the importance of having a sense of spontaneity, improvisation, and connection with others. He observes that being playful not only puts both himself and others at ease–it also gets everyone into a deeper kind of sync: “It pays off in your life when… Continue reading

    borrowed thoughts, groovology, vibration
  • December 2, 2012

    On Re-Composition: Max Richter Meets Vivaldi’s The Four Seasons

    The German-English composer Max Richter had a cool idea: re-write the score to Vivaldi’s The Four Seasons. Not a remix exactly, but rather a getting inside the piece and messing around with its materials. Richter calls the process “re-composition” and his piece is called Recomposed. The Italian composer, violinist, and priest Antonio Vivaldi wrote The… Continue reading

    classical music, post-minimalism, recomposition
  • November 28, 2012

    Haruki Murakami On Repetition

    Haruki Murakami, master novelist and enthusiast of long distance running, makes this observation about the repetition of writing, and the experience of repetition itself as a perceptual tool for tweaking the senses: “The repetition itself becomes the important thing; it’s a form of mesmerism. I mesmerize myself to reach a deeper state of mind.” Continue reading

    borrowed thoughts, perception, repetition
    distance running, haruki murakami, mesmerism
  • November 23, 2012

    On The Universal Sense: How Hearing Shapes The Mind

    Seth Horowitz’s The Universal Sense is an exhaustive, lucid, and entertaining neuroscientific foray into the many ways hearing, listening, and sound shape the mind–how sound affects the way we think, feel, and act. Horowitz is a professor of neuroscience at Brown University who specializes in studies of comparative and human hearing. He’s also an enthusiastic… Continue reading

    music cognition, neuroscience of music, perception, voice
  • November 20, 2012

    Microthought: A Santoor And Tabla Duet

    Tensioned melody over rhythmic cycled drum– Pandit strings motives. Continue reading

    improvisation, poetry
    melody, motives
  • November 16, 2012

    On Listening With Sympathy

    Sitting at the kitchen table listening to a mix playing from the other room– excited sounds flying around corners and down the hallway, partly muffled, half exaggerated, out of proportion, out of breath, and weakened upon their diminished arrival at my ear –a thought appears: listening with sympathy makes the music doubly resonant by giving… Continue reading

    listening, poetry, sound mixing
  • November 14, 2012

    On Microthoughts

    Autumn by airport, hearing sounds of flight and roar, far away pleasure. Continue reading

    enchantment, microthoughts, poetry
    aviation
  • November 12, 2012

    Headphones As Fashion Fetish: A Beats By Dre Exhibit In Times Square

    It was here and gone in a day, but I couldn’t quite figure it out: a promotional tent for Beats By Dre headphones for which people were lining up to get inside. What was inside? As far as I could tell, an opportunity to try on headphones in different colors and have your photograph taken… Continue reading

    headphones and speakers, technology fetishization
«Previous Page Next Page»

Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Same Walk, Different Music: Actress, Suzanne Ciani, “Concrète Waves London B2” (2026).
  • Brett’s Sound Picks: Actress and Suzanne Ciani’s “Concrète Waves Barcelona B4” (2026)
  • The Real, The Virtual, and Thinking Compositionally
  • No. 6
  • Art About Music: “When Is That Young Man Going Home?” (1931)

Subscribe To Brettworks


©

brettworks

2022, All Rights Reserved.

Blog at WordPress.com.

 

Loading Comments...
 

You must be logged in to post a comment.

    • Subscribe Subscribed
      • brettworks
      • Join 745 other subscribers
      • Already have a WordPress.com account? Log in now.
      • brettworks
      • Subscribe Subscribed
      • Sign up
      • Log in
      • Report this content
      • View site in Reader
      • Manage subscriptions
      • Collapse this bar