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thinking through music


  • April 23, 2014

    Literary Distillation: Notes On Bruce Weber’s “Life Is A Wheel”

      Among the many lessons offered in Bruce Weber’s Life Is A Wheel, a flowing and meditative memoir about bicycling across the United States, are two delightful insights about the nature of thinking and progress. Riding all those miles each day, Weber has lots of time and space to think his thoughts (and then write… Continue reading

    literary distillation, memoir, motion
    Bruce Weber
  • April 15, 2014

    David Hockney On Perspective

    I’ve been reading more Lawrence Weschler lately, this time his engaging study of the painter David Hockney, True to Life: Twenty-Five Years of Conversations with David Hockney (University of California Press, 2009). I first encountered Hockney’s work in the mid-1990s at the Boston Museum of Fine Arts. The exhibit was a show of Hockney’s English… Continue reading

    aesthetics, perception, perspective
    David Hockney, Lawrence Weschler, University of California Press
  • April 9, 2014

    Pantha Du Prince And The Bell Laboratory Play Terry Riley’s “In C”

    American composer Terry Riley’s “In C” (1964) is widely considered one of the first and most important minimalist compositions. The piece, scored for an ensemble of unspecified instruments and size, consists of 53 short melodic phrases that musicians play and repeat as many times as they wish before moving onto the next. When all the… Continue reading

    music documentaries
    Hendrik Weber, Terry Riley
  • April 4, 2014

    On Creative Analogies: Lessons From Coi

    “Perfect food is born of perfect order.” – Daniel Patterson, Coi I have written previously on this blog (see culinary arts posts) about connections between cooking and music. To add to that mix, I recently read Daniel Patterson’s excellent Coi cookbook. The book is structured around a series of short narratives that provide context for… Continue reading

    analogies, Creativity, culinary arts, memory, perception
    Coi, Daniel Patterson, Sensory memory
  • March 31, 2014

    On Michael Jackson’s Vocal Artistry

    A real audio gem recently appeared via a blog devoted to Michael Jackson. The gem I’m referring to is a clip of Jackson singing one of his biggest hits, “Beat It.” But it’s not the finished song we all know. It’s a demo of Jackson’s ideas for the yet-to-be song. It sounds like he’s in the studio,… Continue reading

    demos, voice
    Michael Jackson
  • March 27, 2014

    On Endless Vibrations: Locating Soca Music

    Lots of people recently returned from Trinidad and Tobago Carnival thoroughly energized from the parties, dancing, and most of all, the powerfully loud and beat-driven soca music. If you’ve never hear this music up close, blasting from the slow-moving soundsystem trucks that crawl their way through the streets of Port Of Spain, it’s quite an… Continue reading

    electronic dance music, groovology, soca
    calypso music, EDM, electronic dance music, soca music, Trinidad, Trinidad and Tobago Carnival
  • March 21, 2014

    A Note On Blog Writing

    Writing– while riding the subway, while compartmentalized and in motion, while there’s little else to do, while time is without essence, while the alternative is awaiting arrival at my destination. Continue reading

    reflection
    compartmentalized
  • March 20, 2014

    On A Repeating Less Is More: Beck’s “Wave”

    “He’s found the right sound for his disposition and he resonates like crazy with that sound.” – Ben Ratliff (The New York Times) “In ‘Wave,’ the angst pours out like a mantra. – Jody Rosen (vulture.com) “‘Wave,’ for instance, is a floating impressionistic orchestral dirge, Beck letting the strings surrounding his voice lift it up… Continue reading

    music criticism
    Beck, Wave
  • March 13, 2014

    On Mouse On The Keys’ “Aom”

    “The concept was: ‘Utilizing elements of modern French music represented by composers such as Debussy and Ravel, along with the hardcore music of the ’80s and ’90s (…) and mixing them in a style reminiscent of Detroit techno.” – Akira Kawasaki I recently came across some music that reminds me of what it might sound… Continue reading

    music reviews
    Akira Kawasaki, Atsushi Kiyota, Daisuke Niitome, hardcore music, Steve Reich
  • March 11, 2014

    Sound Artifacts Or Buried Treasure?

    A few months ago Alain and I were talking about my bowl music project. Alain, a sound engineer with keen ears, was mastering the tracks, taking out some of the noise on my original recording (e.g. the sound of scraping a wooden dowel on bowl rim, room noise). He had noticed something. “You know those… Continue reading

    stealth marketing
    sound engineer, wooden dowel
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Curating The Week: A History of Western Classical Music, Building AI Models, AI’s Effects on Cognition
  • Database: Clark on Zero Expectations and the Actual Idea
  • Fine-Tuning
  • Suspiramus
  • Database: Burial on the Impression of the Drums

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