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On Seeking Beautiful Outputs
“I’m lazy; that’s why I like machines. They do things I would not have thought of. I can put things into them, and then I can see something happen there beyond what I would have had the time, the taste, or the endurance to have produced myself. I usually don’t want to slavishly make something Continue reading
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Art About Music: Alma Thomas’ “Red Azaleas Singing and Dancing Rock and Roll Music” (1976)
“Red Azaleas Singing and Dancing Rock and Roll Music” (1976) by Alma Thomas Continue reading
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Database: Seth Drake On Harmonic Coloring
“Let’s say you have a bunch of hot AF signals that hit a limiter and now, suddenly, these waveforms have gone from being big and round and way over zero to being square and sitting right at zero. Anytime you have square wave forms on the sides of those squares–as the wave transitions from the Continue reading
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In The Moment Music Production Constraints
“I feel the important part of making a track is to recognize the point where you have to listen to what the track wants. This point comes in around 40–50% of the whole process, where it’s not so much about what you want with the track anymore, but what the track wants you to do Continue reading
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Database: Ryan Lee West On Exploring Tone, Destroying Sounds, And Going Off The Grid
“I think it’s really essential to explore tone—the tone of synths and drums and how bright or dark they are and to listen carefully to how they behave alongside other sounds, exploring tiny amounts of distortion, delay, filtering and compression. But also, don’t be scared to destroy sounds. Sometimes, chaos is needed in electronic music Continue reading
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