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brettworks

thinking through music


  • May 24, 2023

    Brett’s Sound Picks: Grischa Lichtenberger’s: “1011_11104_v_re_61011s1b” (2023)

    2023 Continue reading

    Brett’s Sound Picks
  • May 23, 2023

    SEK 9

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    Uncategorized
  • May 22, 2023

    The Analytical-Intuitive Fader

    “The musician, like the writer or speaker, regularly confronts his conduct as performance or not.” David Sudnow, Talk’s Body (1979) On one of my favorite VST synthesizers there’s a volume mix fader that allows one to move between the sounds of two oscillators (Osc). The control is delightfully simple: when the fader is all the way up,… Continue reading

    analytical and intuitive modalities
  • May 19, 2023

    Source Illuminated

    On Spotify, Apple Music Continue reading

    Uncategorized
  • May 18, 2023

    Database: Ital Tek On Inspiration

    “I try to see (inspiration) as a muscle I flex.” “The way I work is to create a huge amount of content/versions/takes whatever you want to call it and then hone it down over and over. I’ll get inspired by some happy accident when I unplugged a guitar and it made a weird thud through… Continue reading

    database
  • May 17, 2023

    Brett’s Sound Picks: Ital Tek’s “Cold Motion” (2023)

    2023 Continue reading

    Brett’s Sound Picks
  • May 16, 2023

    Marimbafied

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    marimba
  • May 15, 2023

    Commit To Beauty

    Each day I work I’m unsure as to how to alter music-in-progress I don’t yet like into something I do like. I’ve played something, made a sound or a sample, but when I listen back to the idea there’s no magic–it sounds lackluster, predictable, cliché. Often the problem is that too many little things are… Continue reading

    Uncategorized
  • May 9, 2023

    DB 1

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    Uncategorized
  • May 8, 2023

    On Theory, Practice, And Progress

    “Techniques and processes are developed that work, but the understanding of them comes later.” – Matt Ridley, How Innovation Works Because every session unfolds differently, there’s no typical producing music day. Some days you’re determined to begin something new, other days you revisit a piece from a few weeks ago, curious to hear if it… Continue reading

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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Opening (Remodel)
  • Gongscapes
  • Database: Annea Lockwood On Listening As Meditation
  • Opening
  • No. 1

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