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brettworks

thinking through music


  • September 23, 2022

    Study July 26

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    Uncategorized
  • September 22, 2022

    Brett’s Sound Picks: James Heather’s “Meant To be” (2022)

    2022 playlist Continue reading

    Brett’s Sound Picks
  • September 21, 2022

    Resonant Thoughts: Karl Bartos’s “The Sound of the Machine” (2022)

    “The sequencer’s automatic sound sequences and the drum machine’s loops hypnotized me. These black boxes brought the trance quality of African, Indian and Asian musical cultures into pop music, a quality that had been the starting point for the minimalist concept.” “Working with automatic music machines is fundamentally different from human music-making, simply because machines Continue reading

    Resonant Thoughts
  • September 20, 2022

    Aloft On Airs

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  • September 19, 2022

    Notes On Form In Electronic Music Production

    “A piece of writing ought not to be planned for a given size but developed to the length most suitable to the material, and no farther.” – John McPhee, Tabula Rasa If you’re a casual listener to electronic music, you may be forgiven for thinking that form in most styles of the genre is essentially Continue reading

    form
  • September 15, 2022

    Brett’s Sound Picks: John Robert’s “Wrecked Exotic” (2022)

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    Brett’s Sound Picks
  • September 14, 2022

    Art About Music: Idris Khan’s “Rhythm Painting 1” (2019)

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    art about music
  • September 13, 2022

    Offering

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    Uncategorized
  • September 12, 2022

    Error In Music Production

    “…errors cause planes to crash, buildings to collapse, and knowledge to regress. The beneficial properties need to reside in the type of exposure, that is, the payoff function and not in the ‘luck’ part: there needs to be a significant asymmetry between the gains (as they need to be large) and the errors (small or Continue reading

    enchantment, error
  • September 8, 2022

    Curating The Week: Repetition, A.I.-Generated Art, Getting The Hard Part Right

    • A short film about repetition. • An article about A.I.-generated art. “Art is dead, dude. It’s over. A.I. won. Humans lost.” • A blog post about getting the hard part right. “What’s the hard part? What’s the part that has to be right for the rest to matter?” Continue reading

    Curating The Week
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Dave Stewart On Stereo Picture, Frequency Differences, And Demos
  • Brett’s Sound Picks: Musicentrydelete’s “Depth” (2025)
  • When Less Leads To More
  • Omni 98 bpm
  • Drumming Diaries: Grip

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