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brettworks

thinking through music


  • September 7, 2022

    Brett’s Sound Picks: Pole’s “Grauer Sand” (2022)

    2022 playlist Continue reading

    Brett’s Sound Picks
  • September 6, 2022

    Undone

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    Uncategorized
  • September 5, 2022

    Demo Thinking

    It isn’t hard to begin a new piece of music, because you can begin anywhere and build out from there. But what is hard is the self-imposed pressure to make what you’re working on a polished piece—a piece that sounds finished. I sometimes feel this pressure way too early in the production process and find Continue reading

    demo thinking
  • September 2, 2022

    Curating The Week: Samplers, Samples, The Creative Paradox

    • A documentary about the Fairlight CMI sampler. “We started just sort of sampling anything we could get our hands on to see how it would sound when it played back at different pitches. I happened to have this record [Stravinsky’s Firebird Suite] on my shelf…and I recorded the first half a second of one Continue reading

    Curating The Week
  • September 1, 2022

    Virtues

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    virtues
  • August 31, 2022

    Brett’s Sound Picks: Hudson Mohawke’s “Stump” (2022)

    Continue reading

    Brett’s Sound Picks
  • August 30, 2022

    Start From Scratch (Again)

    If you’re new to this blog or haven’t noticed its themes, I often write to distill ideas relating to music production workflows. I generalize based on my own experiences and share concepts that guide the work of other musicians. I think there are insights here and there, or at least an accumulation of analytical weft Continue reading

    workflow
  • August 29, 2022

    8 Part Etude

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    Uncategorized
  • August 25, 2022

    Resonant Thoughts: Ian Penman’s “It Gets Me Home, This Curving Track” (2019)

    “Our twenty-first-century snake oil promise of ‘more choice’ often devolves into homogenous slip, a moraine of thin and strong repetition. In the current YouTube moment, we’re told that we have a limitless look-see option on everything there ever was, laid out right before us—but at the price, perhaps, if a complete absence of critical chiaroscuro.” Continue reading

    Resonant Thoughts
  • August 24, 2022

    Brett’s Sound Picks: Abul Mogard’s “Like Water” (2022)

    Continue reading

    Brett’s Sound Picks
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Dave Stewart On Stereo Picture, Frequency Differences, And Demos
  • Brett’s Sound Picks: Musicentrydelete’s “Depth” (2025)
  • When Less Leads To More
  • Omni 98 bpm
  • Drumming Diaries: Grip

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