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brettworks

thinking through music


  • December 22, 2022

    Database: Aphex Twin On Composing

    “But the actual composing, you don’t want to be thinking for that. You need to think to set things up then you want to channel whatever it is from wherever it’s coming from. If you can concentrate long enough and you get to the right place then hopefully you’ve stopped thinking completely.” – Apex Twin… Continue reading

    Resonant Thoughts
  • December 21, 2022

    Brett’s Sound Picks: Benedicte Maurseth’s “Heilo” (2022)

    (One of my top listens of the year–even the birds at 4:29 are in key…) 2022 playlist Continue reading

    Brett’s Sound Picks
  • December 20, 2022

    Of Sines

    Continue reading

    sines
  • December 19, 2022

    On The Musically Untried

    The more musical things I try, the more I realize I may not be trying as much new stuff as I could be. The very workflow habits that get me results also keep me in ruts of my own making and returning to my go-to strategies and techniques keeps me from new ways of doing… Continue reading

    Uncategorized
  • December 16, 2022

    Lifted Up

    Listen on Spotify, Bandcamp Continue reading

    Uncategorized
  • December 15, 2022

    Brett’s Sound Picks: Ultratronics 13 (2022)

    2022 playlist Continue reading

    Uncategorized
  • December 14, 2022

    Resonant Thoughts: Peter Zumthor’s Atmospheres (2003)

    “We perceive atmosphere through our emotional sensibility—a form of perception that works incredibly quickly, and which we humans evidently need to help us survive. Not every situation grants us time to make up our minds on whether or not we like something or whether indeed we might be better heading off in the opposite direction.… Continue reading

    Resonant Thoughts
  • December 13, 2022

    Mover

    Continue reading

    sketch
  • December 12, 2022

    Once You’ve Found The Middle Ground Twiddle With Its Sides

    One way to think about music production is that it’s an intensive generation of a track’s middle ground followed by twiddling with this middle in search of variations and details to fill out the sides. I’ve written about how I begin pieces with chords, but any sound will do. It doesn’t matter where you begin, but it… Continue reading

    middle grounds
  • December 9, 2022

    Curating The Week: Melting Ice Music, Technology’s Existential Threat, Reading Well

    • A documentary about the A World Without Ice exhibit. (Thanks to R. Hartenberger for the link.) “When you watch ice melt, it doesn’t really make a lot of sound on its own. So I froze some ice and put a drum underneath that and it sounded good.” “In this piece there is a certain… Continue reading

    Curating The Week
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Resonant Thoughts: John Berger’s “Permanent Red: Essays in Seeing” (1960/2025)
  • Stolen Moments Are Open-Ended
  • Opening (Remodel)
  • Gongscapes
  • Database: Annea Lockwood On Listening As Meditation

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