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brettworks

thinking through music


  • August 23, 2022

    Aiming For Perfection, Open To Correction

    The other day I was working on a piece and had the idea to record the chords while muting the vocal parts. Normally I wouldn’t do this because I want to hear what I’m playing along to! But in this case there were too many unusual phrasings in the singing for me to react to Continue reading

    workflow
  • August 22, 2022

    HT Dub 10

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    Uncategorized
  • August 19, 2022

    Gong Lessons

    Gongs are one of my favorite percussion instruments. Why? Because they’re drone machines that make unusual long tones, tones that are often of indefinite pitch and hard to decipher. Because they’re the orchestra’s ultimate Outsider instrument. Because they take a while to warm up, and even longer to quiet down. But the best thing about Continue reading

    gong music, listening
  • August 18, 2022

    Three Non-Obvious Production Principles

    • Your initial sound matters, but only to a point, because your sound designing upon a sound will transform it far beyond what it was. The lesson: don’t obsess over your initial sounds. • The focus you apply to a track—or your time under tension/attention—is audible in the finished result. The lesson: finesse sounds all Continue reading

    production knowing
  • August 17, 2022

    Process, Not Outcome

    Roy Lichtenstein, Landscape in Fog (1996) The saying, process, not outcome is the most actionable advice for building creative work. We can’t control the outcome of our work—such as whether it succeeds in doing what we hoped it would do, or whether others find it interesting, useful, beautiful, etc. But we can choose and commit Continue reading

    process
  • August 16, 2022

    Listening To Autechre

    When it occurs to me, I listen to Autechre on my commute and every time I do I’m rewarded with a listening experience that is unlike the time I spend listening to other musicians. What, I wonder, makes listening to Autechre’s music so unique? I thought of some answers to this question as I listened Continue reading

    Uncategorized
  • August 15, 2022

    Many Returns

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    Uncategorized
  • August 11, 2022

    Brett’s Sound Picks: Bing and Ruth’s “Nearer (solo piano)” (2022)

    2022 playlist Continue reading

    Brett’s Sound Picks
  • August 10, 2022

    Resonant Thoughts: James Bridle’s “Ways Of Being” (2022)

    “The world is not like a computer. Computers – like us, like plants and animals, like clouds and seas – are like the world. Some more than others, some better attuned to its processes – and many not.” “As John Cage discovered through his use of the I Ching, a complex dance of chance-driven and Continue reading

    Resonant Thoughts
  • August 9, 2022

    Augmented

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    sketch
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Dave Stewart On Stereo Picture, Frequency Differences, And Demos
  • Brett’s Sound Picks: Musicentrydelete’s “Depth” (2025)
  • When Less Leads To More
  • Omni 98 bpm
  • Drumming Diaries: Grip

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