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brettworks

thinking through music


  • June 29, 2022

    Brett’s Sound Picks: tstewart’s “Airstream” (2022)

    (2022 playlist.) Continue reading

    Brett’s Sound Picks
  • June 28, 2022

    Art About Music: Leonardo da Vinci’s “Mechanical Drum” (c. 1490-1495)

    (Original manuscript is here.) Continue reading

    art about music
  • June 27, 2022

    Two Parts

    Continue reading

    sketch
  • June 23, 2022

    Forward Engineering

    If reverse engineering means examining a finished work to try to figure out how it was constructed, then forward engineering means examining a work in progress and projecting forward to imagine what it might need to be completed. In music production, having the ability to see how a track will end up would be a Continue reading

    Uncategorized, workflow
  • June 22, 2022

    Brett’s Sound Picks: Scanner’s “You And Me” (2022)

    Continue reading

    Brett’s Sound Picks
  • June 21, 2022

    Art About Music: Google Books’ Ngram Viewer: “Musicality” (2022)

    Continue reading

    art about music
  • June 20, 2022

    Trio

    Continue reading

    Uncategorized
  • June 17, 2022

    On Musical Transitions

    “Transition is the very heart of inspiration and creativity” writes the inventor Ernő Rubik, in his autobiography, Cubed (2020). Rubik is, of course, the inventor of Rubik’s Cube, my favorite toy back in the day. I could solve the Cube fairly quickly when I was a kid, although I had to read a book about Continue reading

    transition
  • June 16, 2022

    Resonant Thoughts: Samuel Arbesman On Signposts

    “The kind of signposts I’m thinking about are often little more than short phrases—or even single word neologisms—that, due to what ideas they have compressed within them, reorient how you see specific spheres of experience. These are ‘catchy’ concepts that often combine two or more words in unexpected ways, creating a mental hook for a Continue reading

    Resonant Thoughts
  • June 15, 2022

    Brett’s Sound Picks: Steve Reich’s “Reich/Richter: Cross fades” (2022)

    (2022 Playlist) Continue reading

    Brett’s Sound Picks
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Curating The Week: The Act Of Making, A Music Production Manifesto, Attention
  • Database: Dave Stewart On Stereo Picture, Frequency Differences, And Demos
  • Brett’s Sound Picks: Musicentrydelete’s “Depth” (2025)
  • When Less Leads To More
  • Omni 98 bpm

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