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brettworks

thinking through music


  • May 4, 2022

    Brett’s Sound Picks: Joep Beving’s “Mushin” (2022)

    (2022 Playlist) Continue reading

    Brett’s Sound Picks
  • May 3, 2022

    Notes On Drumming And Running

    “No matter how mundane some action might appear, keep at it long enough and it becomes a contemplative, even meditative act.” “The repetition itself becomes the important thing; it’s a form of mesmerism. I mesmerize myself to reach a deeper state of mind.” – Haruki Murakami Occasionally I wonder about how musicians who aren’t percussionists or drummers Continue reading

    drumming and running
  • May 2, 2022

    Voices, chords, beat

    Continue reading

    Uncategorized
  • April 29, 2022

    Resonant Thoughts: Anna-Karin Berglund (aka AKB) On Not Working In A Linear Way

    “To not work in a linear way when making a track. It’s better to just start somewhere and explore from there, don’t try and write a song from start to finish, make it random. And also don’t be afraid to get theoretical when making music, especially electronic music. There is a lot to be found Continue reading

    Resonant Thoughts
  • April 28, 2022

    Brett’s Sound Picks: AKB’s “Skymningszonen” (2020)

    (2022 Playlist) Continue reading

    Brett’s Sound Picks
  • April 27, 2022

    Art About Music: The Luttrell Psalter (1325-1340)

    (left to right: musicians playing harp, pipe and tabor, organistrum, and portative organ) Continue reading

    art about music
  • April 26, 2022

    Sines

    Continue reading

    Uncategorized
  • April 25, 2022

    Mix Lessons: Relational Listening

    Recently I was working on a mix for a piece of music with eight parts: percussion, piano, vibraphone, bass, pad, and voices. The piece has two percussion parts, the first comprising a kick-snare-clap-hi hat drum pattern, and the second a top loop part, which is a beat (extracted from another, earlier piece) consisting of mostly Continue reading

    mixing, relational listening
  • April 18, 2022

    Crystallized

    Continue reading

    Uncategorized
  • April 15, 2022

    Curating The Week: Musical Plagiarism, Sound Design, Ambient Music, Heresies

    • An article about plagiarism in popular music. “There are only so many notes and very few chords used in pop music and coincidences are bound to happen if 60,000 songs are being released a day on Spotify, that is 22m songs a year, and there are only 12 notes that are available.” – Ed Continue reading

    Curating The Week
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Curating The Week: The Act Of Making, A Music Production Manifesto, Attention
  • Database: Dave Stewart On Stereo Picture, Frequency Differences, And Demos
  • Brett’s Sound Picks: Musicentrydelete’s “Depth” (2025)
  • When Less Leads To More
  • Omni 98 bpm

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