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brettworks

thinking through music


  • April 26, 2022

    Sines

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    Uncategorized
  • April 25, 2022

    Mix Lessons: Relational Listening

    Recently I was working on a mix for a piece of music with eight parts: percussion, piano, vibraphone, bass, pad, and voices. The piece has two percussion parts, the first comprising a kick-snare-clap-hi hat drum pattern, and the second a top loop part, which is a beat (extracted from another, earlier piece) consisting of mostly… Continue reading

    mixing, relational listening
  • April 18, 2022

    Crystallized

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  • April 15, 2022

    Curating The Week: Musical Plagiarism, Sound Design, Ambient Music, Heresies

    • An article about plagiarism in popular music. “There are only so many notes and very few chords used in pop music and coincidences are bound to happen if 60,000 songs are being released a day on Spotify, that is 22m songs a year, and there are only 12 notes that are available.” – Ed… Continue reading

    Curating The Week
  • April 14, 2022

    Pianos At Two Speeds

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    Uncategorized
  • April 13, 2022

    Brett’s Sound Picks: Whatever The Weather’s “14°C” (2022)

    (2022 Playlist) Continue reading

    Brett’s Sound Picks
  • April 12, 2022

    Art About Music: Titian’s “The Music Lesson” (1535)

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    art about music, music lessons
  • April 11, 2022

    On “Going Classical”: String Arrangements Of Pop Music In Bridgerton

    “Bridgerton matched Victorian morality with enlightened heroines, and progressive attitudes with a lavish regency aesthetic. And nowhere was the blend of old and new more evident, than in the music. – Maddy Shaw Roberts, Bridgerton Season 2 soundtrack: every pop song with a classical cover “Nobility, warmth, and equality of tone from one end of… Continue reading

    classical music, strings
  • April 8, 2022

    Windscape

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    Uncategorized
  • April 7, 2022

    Resonant Thoughts: Mark Fell’s “Structure and Synthesis” (2022)

    “I want to promote a description of creativity as a process of attunement to the material environment, not an isolated or inward journey further into one’s thoughts or mind or soul. In this sense, the description I want to promote is one driven by a critical curiosity rather than a thing called inspiration…which I know… Continue reading

    Resonant Thoughts
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Resonant Thoughts: John Ashbery’s “A Wave” (1984)
  • Art About Music: Google’s Lyria 3 (2026)
  • Studio Observations: Listening To Improvisation
  • Database: Shane Parish on Revoicing and the Game Of Subtraction
  • Jup-8000, No. 1

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