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brettworks

thinking through music


  • January 3, 2022

    9 Parts

    Continue reading

    Uncategorized
  • December 31, 2021

    Effects Are All About Affect

    “I’ve found that quite a good trick is that if you feel like you’ve put too much reverb on something just add more.”  – Clark When I’m composing, I’m playing or drumming on a keyboard controller, but mostly I’m looking at a screen and inhabiting the virtual world of DAW software, listening, trying to finesse whatever… Continue reading

    affect, effects, phenomenology
  • December 30, 2021

    Resonant Thoughts: Alan Belkin On Avoiding Squareness

    “Avoiding Squareness […] contrapuntal thinking encourages overlap. The habit of always keeping interest alive in at least one part, even when another cadences, makes for more interesting phrasing, and mitigates squareness of construction.” – Alan Belkin, Principles of Counterpoint Continue reading

    musical squareness
  • December 29, 2021

    Art About Music: Eduard Charlemont’s “A Drink for the Drummer”(1889)

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    art about music
  • December 28, 2021

    Brett’s Sound Picks: Giacomo Antonio Perti (1661-1756): “Fugue for 2 Voices”

    (The Playlist.) Continue reading

    Brett’s Sound Picks
  • December 27, 2021

    Cadences 11

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    piano music, sketch
  • December 24, 2021

    Working Quickly, Working Slowly 

    There are two main ways I work, both of which have their upsides and downsides. The first way is relatively quick, uninterrupted, and takes place over a single session. If work on the music began around 10am, I might be done by 2pm. Not done done, but having decided upon most of the piece’s main… Continue reading

    workflow
  • December 23, 2021

    Curating The Week: Attention, Time, Decolonizing Electronic Music Software

    • An essay about attention (and time). “The phrase attention economy poses attention as a commodity to be portioned off and sold, usually on the internet. (We also say that attention is something to be ‘paid.’) But maybe attention is more a state of mind, akin to happiness or disgust, than a currency. It’s a feeling, a… Continue reading

    Curating The Week
  • December 22, 2021

    Brett’s Sound Picks: Huerco S.’s “Plonk VI” (2021)

    (Playlist 2021.) Continue reading

    Brett’s Sound Picks
  • December 21, 2021

    Art About Music: Salvador Dali’s “Music – The Red Orchestra” (1957)

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    art about music
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Resonant Thoughts: John Ashbery’s “A Wave” (1984)
  • Art About Music: Google’s Lyria 3 (2026)
  • Studio Observations: Listening To Improvisation
  • Database: Shane Parish on Revoicing and the Game Of Subtraction
  • Jup-8000, No. 1

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