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brettworks

thinking through music


  • December 21, 2021

    Art About Music: Salvador Dali’s “Music – The Red Orchestra” (1957)

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    art about music
  • December 20, 2021

    Cadences 10

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    Uncategorized
  • December 17, 2021

    Keeping The Hands In Play

    (Photo: Gerrit Dou’s “A Woman Playing A Clavichord”, c. 1665) “The musician, like the writer or speaker, regularly confronts his conduct as performance or not.” David Sudnow, Talk’s Body (1979), p. 65. 1. Whenever I feel I’m disconnected from the musical because I’ve been looking at the screen and tinkering with parameters too much, I… Continue reading

    play, playing music
  • December 16, 2021

    Resonant thoughts: Kalefa Sanneh’s “Major Labels” (2021)

    “When I was working as a pop music critic, I tried not to think too much about quality—at least not directly. My belief, then as now, was that there was no useful difference between loving a song and considering it good, or between not liking one and considering it bad. (If it is possible for… Continue reading

    Resonant Thoughts
  • December 15, 2021

    Brett’s Sound Picks: Ian Hawgood And Wil Bolton’s “Emerging” (2021)

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    Brett’s Sound Picks
  • December 14, 2021

    Art About Music: Jose Manuel Capuletti’s “Allegory Of Music” (1946)

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    art about music
  • December 13, 2021

    Dub 4

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    Uncategorized
  • December 10, 2021

    Cadences 8

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    cadences
  • December 8, 2021

    Brett’s Sound Picks: Slow Meadow’s “Ripple” (2021)

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    Uncategorized
  • December 7, 2021

    Art About Music: “Winslow Homer’s “Sounding Reveille” (1871)

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    art about music
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Curating The Week: The Brand Age, Selling Out, Sync Music
  • Resonant Thoughts: John Ashbery’s “A Wave” (1984)
  • Art About Music: Google’s Lyria 3 (2026)
  • Studio Observations: Listening To Improvisation
  • Database: Shane Parish on Revoicing and the Game Of Subtraction

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