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brettworks

thinking through music


  • May 18, 2022

    On Beginnings and Endings: Fennesz’s “Nebenraum”

    In Austrian producer and guitarist Christian Fennesz’s “Nebenraum” (2022), the first three minutes are filled by a three-note dissonant drone that sets up you for something you couldn’t have anticipated. As I listened to the piece over and over, I thought about the connection between the music’s three minutes and its final 75 seconds, which… Continue reading

    beginnings and endings, drone, form
  • May 17, 2022

    Brett’s Sound PIcks: Julia Kent’s “Echo Of Wings” (2022)

    (Isn’t this awesome?) (Playlist 2022.) Continue reading

    Brett’s Sound Picks
  • May 16, 2022

    HT Dub

    Continue reading

    sketch
  • May 13, 2022

    Slow Voices, pulses, percussion

    Continue reading

    anti-boredom, antifragility, ecstasy of influence, harmony, long tones, sketch
  • May 11, 2022

    Resonant Thoughts: Geoff Dyer’s “The Last Days Of Roger Federer And Other Writings” (2022)

    “Knowledge has to be laid down in the brain in overlapping and criss-crossed layers. You need the underlay before you can have the carpet and then—then you can abandon the analogy because it’s completely unsustainable. Everything has gradually to become a kind of sediment in the brain, its ocean floor—a place so dark and mysterious… Continue reading

    Resonant Thoughts
  • May 10, 2022

    Notes On What Worked

    “Let me tell you the secret that has led me to my goal. My strength lies solely in my tenacity.“ – Louis Pasteur  At the risk of overthinking things, I take notes about my work as I’m making it, with the belief that reflecting on process sharpens one’s focus and elevates the next session’s prospects enough to make such reflecting… Continue reading

    workflow
  • May 9, 2022

    Cadences

    Listen on Spotify or Apple Music Continue reading

    cadences
  • May 5, 2022

    Resonant Thoughts: Fred Gibson On Starting From A Point Of Real Intricacy

    “I like styling with something that’s really intricate and complex, sound‑wise. Like dragging a whole finished song into a granular synth. So, you’re starting from a point of real intricacy and trying to find order in it, as opposed to coming from a pure sine wave and trying to add intricacies. I like going the other way around more.” – Fred… Continue reading

    Resonant Thoughts
  • May 4, 2022

    Brett’s Sound Picks: Joep Beving’s “Mushin” (2022)

    (2022 Playlist) Continue reading

    Brett’s Sound Picks
  • May 3, 2022

    Notes On Drumming And Running

    “No matter how mundane some action might appear, keep at it long enough and it becomes a contemplative, even meditative act.” “The repetition itself becomes the important thing; it’s a form of mesmerism. I mesmerize myself to reach a deeper state of mind.” – Haruki Murakami Occasionally I wonder about how musicians who aren’t percussionists or drummers… Continue reading

    drumming and running
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • 2 September
  • Curating the Week: Juggling, Music Teachers, Writing, Tacit Knowledge in Research
  • 8000 Studies
  • 7 August
  • Interior Jumble (Rhythm Remodel)

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