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brettworks

thinking through music


  • April 12, 2022

    Art About Music: Titian’s “The Music Lesson” (1535)

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    art about music, music lessons
  • April 11, 2022

    On “Going Classical”: String Arrangements Of Pop Music In Bridgerton

    “Bridgerton matched Victorian morality with enlightened heroines, and progressive attitudes with a lavish regency aesthetic. And nowhere was the blend of old and new more evident, than in the music. – Maddy Shaw Roberts, Bridgerton Season 2 soundtrack: every pop song with a classical cover “Nobility, warmth, and equality of tone from one end of… Continue reading

    classical music, strings
  • April 8, 2022

    Windscape

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    Uncategorized
  • April 7, 2022

    Resonant Thoughts: Mark Fell’s “Structure and Synthesis” (2022)

    “I want to promote a description of creativity as a process of attunement to the material environment, not an isolated or inward journey further into one’s thoughts or mind or soul. In this sense, the description I want to promote is one driven by a critical curiosity rather than a thing called inspiration…which I know… Continue reading

    Resonant Thoughts
  • April 6, 2022

    Brett’s Sound Picks: Hania Rani’s “Kyiv” (2022)

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    Brett’s Sound Picks
  • April 1, 2022

    Lessons From Running

    I spend as much time running as I do making music, which is to say that most days I’m outside training. Last October I ran the Boston marathon—which was delayed in 2021 after having been cancelled twice in 2020—and over the past four months I’ve been training for the April 2022 edition.  My first Boston… Continue reading

    running
  • March 31, 2022

    Resonant Thoughts: Neil Cowley On Orchestrations

    “Piano first, generally. Though maybe a small rhythm element may be put in place to spark the harmonic gateway that the piano provides. Then starts the long process of embellishing it, or orchestrating it. I say orchestrating, as I like to think of the synth elements that I add as orchestrations.” Neil Cowley, Headphone Commute Continue reading

    Resonant Thoughts
  • March 30, 2022

    Art About Music: Jan Steen’s “The Wandering Musicians” (17th c.)

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    art about music
  • March 29, 2022

    Brett’s Sound Picks: Neil Cowley’s “Dormitory” (2022)

    (Playlist 2022.) Continue reading

    Brett’s Sound Picks
  • March 28, 2022

    Cadences 17

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    cadences
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • 2 September
  • Curating the Week: Juggling, Music Teachers, Writing, Tacit Knowledge in Research
  • 8000 Studies
  • 7 August
  • Interior Jumble (Rhythm Remodel)

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